A trusted editor turns his attention to the most important part of writing: revision. So you’ve just finished writing something? Congratulations! Now revise it. Because revision is about getting from good to better, and it’s only finished when you decide to stop. But where to begin? In On Revision, William Germano shows authors how to take on the most critical stage of writing anything: rewriting it. For more than twenty years, thousands of writers have turned to Germano for his insider’s take on navigating the world of publishing. A professor, author, and veteran of the book industry, Germano knows what editors want and what writers need to know: Revising is not just correcting typos. Revising is about listening and seeing again. Revising is a rethinking of the principles from the ground up to understand why the writer is doing something, why they’re going somewhere, and why they’re taking the reader along with them. On Revision steps back to take in the big picture, showing authors how to hear their own writing voice and how to reread their work as if they didn’t write it. On Revision will show you how to know when your writing is actually done—and, until it is, what you need to do to get it there.

The fifteenth volume in the Art of series takes an expansive view of revision—on the page and in life In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision—even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject. Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.

With rousing enthusiasm, David Michael Kaplan introduces you to his unique brand of revision: a process of discovery in which your story's words, structure, even its very meaning may change as it grows stronger. He takes you through every stage of the writing process, providing strategies and criteria to help pinpoint the problems in your work and fix them. In addition to illustrating his points with examples from contemporary writers, Kaplan traces the evolution of three of his own stories from journal entries to first (and subsequent) drafts to finished pieces. He shows the changes he made - from single words to entire characters and story lines - and explains why he made them.

Get all three Fixing Your Revision Problems books in one omnibus This book contains Fixing Your Character & Point-of-View Problems, Fixing Your Plot & Story Structure Problems, and Fixing Your Setting & Description Problems--PLUS a BONUS workshop: How to Salvage Half-Finished Manuscripts. A strong story has many parts, and when one breaks down, the whole book can fail. Make sure your story is the best it can be to keep your readers hooked. Janice Hardy takes you step-by-step through the novel revision process, from character issues, to plot problems, to description issues. She'll show you how to analyze your draft, spot any problems or weak areas, and fix problems hurting your manuscript. With clear and easy-to-understand examples, Revising Your Novel: First Draft to Finished Draft offers eleven self-guided workshops that target the common issues that make readers stop reading. It will help you: Flesh out weak characters and build strong character arcs Find the right amount of backstory to enhance, not bog down, your story Create unpredictable plots that keep readers guessing Develop compelling hooks to build tension in every scene Determine the right way to include information without infodumping Fix awkward stage direction and unclear character actions Revising Your Novel: First Draft to Finished Draft starts every workshop with an analysis and offers multiple revision options in each area. You choose the options that best fit your writing process. Learn how to: Develop a strong and effective revision plan Analyze your manuscript to find its strengths and weaknesses Spot common red flag words for problem areas (such as told prose) Determine the best way to revise a scene, plot, character, or novel Fix problems holding your novel back Revising Your Novel: First Draft to Finished Draft is an easy-to-follow guide to revising your manuscript and crafting a strong finished draft that will keep readers hooked.

Revision might seem to be an intrinsic part of good writing. But Hannah Sullivan argues that we inherit our faith in the virtues of redrafting from early-twentieth-century modernism. Closely examining changes made in manuscripts, typescripts, and proofs by T. S. Eliot, Ezra Pound, Ernest Hemingway, James Joyce, Virginia Woolf, and others, she shows how modernist approaches to rewriting shaped literary style, and how the impulse to touch up, alter, and correct can sometimes go too far. In the nineteenth century, revision was thought to mar a composition’s originality—a prejudice cultivated especially by the Romantics, who believed writing should be spontaneous and organic, and that rewriting indicated a failure of inspiration. Rejecting such views, avant-garde writers of the twentieth century devoted themselves to laborious acts of rewriting, both before and after publishing their work. The great pains undertaken in revision became a badge of honor for writers anxious to justify the value and difficulty of their work. In turn, many of the distinctive effects of modernist style—ellipsis, fragmentation, parataxis—were produced by zealous, experimental acts of excision and addition. The early twentieth century also saw the advent of the typewriter. It proved the ideal tool for extensive, multi-stage revisions—superior even to the word processor in fostering self-scrutiny and rereading across multiple drafts. Tracing how master stylists from Henry James to Allen Ginsberg have approached their craft, The Work of Revision reveals how techniques developed in the service of avant-garde experiment have become compositional orthodoxy.

This lavishly illustrated atlas will have wide appeal to the growing number of specialists who perform rhinoplasty (aesthetic and/or reconstructive surgery of the nose). In addition to plastic surgeons, ENT/otolaryngologists, head & neck surgeons, dermatologists and even oral surgeons are now incorporating rhinoplasties into their practices. Over 350,000 rhinoplasties were performed in 2003, and as the number of cases increases, so does the number of failed operations. Follow up surgeries to improve form or function are referred to as "revision" or "secondary" rhinoplasties. Michael Evan Sachs has perfected the art and science of revision rhinoplasty with thousands of case, and readers will learn not only how to repair a failed procedure but also how to prevent one in the first place.

The Association of Chartered Certified Accountants (ACCA) is the global body for professional accountants. With over 100 years of providing world-class accounting and finance qualifications, the ACCA has significantly raised its international profile in recent years and now supports a BSc (Hons) in Applied Accounting and an MBA.BPP Learning Media is an ACCA Official Publisher. Paper P6, Advanced Taxation, requires you to extend the core tax knowledge that you learnt for Paper F6. As well as widening your knowledge of the core taxes, you will need to study inheritance tax, stamp taxes and trusts for the first time. In this paper you will also be expected to comment on ethical issues.In Paper P6 all of the questions set will be scenario type questions as opposed to the purely computational questions that you met at Paper F6. The emphasis of the questions will be on the interpretation of a given situation. You may need to propose alternative strategies and compare and contrast the results. Marks will be specifically awarded in the examination for the demonstration of effective communication skills. You will also need to demonstrate that you are aware that there may be non-tax matters that should be taken into account.The important point about this paper is that you need to develop your application skills. The best way to do this is to practise as many exam standard questions as possible. BPP Learning Media's P6 FA2008 Practice and Revision kit allows you to do just this. The Practice and Revision kit is new and has been specifically written for this paper. Most of our questions are exam standard, although some are preparation questions which ease you into the topic you are studying. Questions are grouped into topic areas so that you can easily identify those that cover particular areas. Our detailed solutions often provide top tips, advice on how to approach the question or advice on gaining easy marks. There is also a reference so that you know where the topics concerned are covered in the study text.BPP Learning Media is the publisher of choice for many ACCA students and tuition providers worldwide. Join them and plug into a world of expertise in ACCA exams.