This book, a study of English literary reviewing during the fifteen years before the founding in 1802 of the Edinburgh Review analyzes the achievement of reviewers of works by Burns, Landor, Moore, Scott, Southey, Wordsworth, Coleridge, Burke, Paine, Malthus, and many others.

First published in 1978, Reviewing before the Edinburgh is a study of English literary reviewing during the fifteen years before the founding in1802 of the Edinburgh Review, and an assessment of the reviewers’ achievement. The long introductory chapter describes the aims, methods, staffing, readership, influence, and development of the five important Reviews of the 1790s: the Monthly Review, Critical Review, English Review, Analytical Review, and British Critic. The author argues that this type of Review declined during the 19th century, not because of poor performance, but because the ambitious aim of comprehensive reviewing had become impossible to achieve. The remaining chapters discuss and evaluate the work of these Reviews, chiefly in the fields of poetry, fiction, and political and religious controversy. The book fills a gap in the literary and political history of the period; provides a compact summary of its review criticism; and gives a better perspective on both reviewers and reviewed in years that were unusually fertile in political controversy and literary experiment. It will be of interest to students of literature and history.

Each of the writings this book deals with were influenced by and capitalized on certain aspects of Scottish culture in the late-18th and early 19th centuries and those cultural influences combined to forge a rhetorical approach that practically guaranteed the Scottish men of letters a dominant place in the public sphere. This book covers the Edinburgh Review in and as the public sphere 1802-08; Christopher North and the review essay as conversational exhibition; Lockhart's modified amateurism and the shame of authorship; and the Presbyterian sermon, Carlyle's homiletic essays, and Scottish periodical writing.

"Erickson analyzes the effects of a changing market on the relative cultural status of literary forms. Topics include the impact of technological changes in printing on English poetry; ideological focus and the market for the essay; and marketing the novel, 1820-1850."--"Book News, Inc., " Portland, Oregon. (Literary Criticism)

This book is the first biography of Scottish-born physician John Moore. Here, Henry L. Fulton recounts Moore’s childhood, education, and medical training in Glasgow and abroad; discusses his marriage, family, and friendships (particularly with Tobias Smollett); and depicts his professional practice in the north. The narrative uncovers Moore’s transformative experience accompanying a young nobleman on the Grand Tour through Europe and provides a detailed account of the journey's highlights and difficulties. When Moore returns, he moves his family to London to begin a second career in literature and to acquire patronage for his sons’ professions. In this biography Fulton covers not only Moore’s publications but also discusses his circle of friends among nobility, politicians, artists, and others. Also discussed is Moore’s involvement in the French Revolution, his correspondence with Robert Burns, and his strained family relationships. Additionally presented here is new information regarding Moore’s finances drawn from archival records in Glasgow and Edinburgh and his bank ledgers in London.

From its first issue, published on the 10th October 1802, Francis Jeffrey's "Edinburgh Review" established a strong reputation and exerted a powerful influence. This is a literary study of the "Edinburgh Review" for over fifty years. It contextualizes the periodical within the culture wars of the Romantic era.

Newly commissioned essays by leading scholars offer a comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. Essays range from studies of periodical formats in the nineteenth century - reviews, magazines and newspapers - to accounts of individual journalists, many of them eminent writers of the day. The uneasy relationship between the new 'profession' of journalism and the evolving profession of authorship is investigated, as is the impact of technological innovations, such as the telegraph, the typewriter and new processes of illustration. Contributors go on to consider the transnational and global dimensions of the British press and its impact in the rest of the world. As digitisation of historical media opens up new avenues of research, the collection reveals the centrality of the press to our understanding of the nineteenth century.