Covering the Pahlavi modern nation-state as well as the Islamic regime, this book examines the crucial shifts that affected Sunnite and subaltern women once Shi'ism became the state religion after the Iranian Revolution. Focusing on women in the Baluchistan and Golestan provinces of Iran, Azadeh Kian analyses and explores issues of cultural racialization, ethno-centrism, Shi'a centrism, and patriarchal and chauvinistic ideologies in Iranian society propagated by the state and sustained by its policies. Based on quantitative and qualitative surveys taken throughout Iran, comprised of over 7,000 married women and 100 interviews with a sample of Sunnite and subaltern Persian women, Kian reveals how social hierarchy and power relations based on gender, class, ethnicity and religion operate. She argues that women have been at the heart of the process of national and ethnic re-construction as women, as potential mothers, are expected to reproduce national and ethnic boundaries. Kian argues that by examining the family institution as a site of power, analysing family dynamics as well as women's everyday lives, the politics of ordinary Iranians and the relationship between state and society can be better understood. Kian argues that the time is ripe to achieve a non-hegemonic definition of Iranian national identity, through acknowledgement of gender, class, ethnic, and religious diversity and plurality of experiences of oppression and injustice.

Covering the Pahlavi modern nation-state as well as the Islamic regime, this book examines the crucial shifts that affected Sunnite and subaltern women once Shi'ism became the state religion after the Iranian Revolution. Focusing on women in the Baluchistan and Golestan provinces of Iran, Azadeh Kian analyses and explores issues of cultural racialization, ethno-centrism, Shi'a centrism, and patriarchal and chauvinistic ideologies in Iranian society propagated by the state and sustained by its policies. Based on quantitative and qualitative surveys taken throughout Iran, comprised of over 7,000 married women and 100 interviews with a sample of Sunnite and subaltern Persian women, Kian reveals how social hierarchy and power relations based on gender, class, ethnicity and religion operate. She argues that women have been at the heart of the process of national and ethnic re-construction as women, as potential mothers, are expected to reproduce national and ethnic boundaries. Kian argues that by examining the family institution as a site of power, analysing family dynamics as well as women's everyday lives, the politics of ordinary Iranians and the relationship between state and society can be better understood. Kian argues that the time is ripe to achieve a non-hegemonic definition of Iranian national identity, through acknowledgement of gender, class, ethnic, and religious diversity and plurality of experiences of oppression and injustice.

Investigates how women, religion and culture have interacted in the context of 19th and 20th century Iran, covering topics as seemingly diverse as the social and cultural history of Persian cuisine, the work and attitudes of 19th century Christian missionaries, the impact of growing female literacy, and the consequences of developments since 1979.

The "Culture of Hejab"

While recent books have explored Arab and Turkish nationalism, the nuances of Iran have received scant book-length study—until now. Capturing the significant changes in approach that have shaped this specialization, Rethinking Iranian Nationalism and Modernity shares innovative research and charts new areas of analysis from an array of scholars in the field. Delving into a wide range of theoretical and conceptual perspectives, the essays—all previously unpublished—encompass social history, literary theory, postcolonial studies, and comparative analysis to address such topics as: Ethnicity in the Islamic Republic of Iran Political Islam and religious nationalism The evolution of U.S.-Iranian relations before and after the Cold War Comparing Islamic and secular nationalism(s) in Egypt and Iran The German counterrevolution and its influence on Iranian political alliances The effects of Israel's image as a Euro-American space Sufism Geocultural concepts in Azar's Atashkadeh Interdisciplinary in essence, the essays also draw from sociology, gender studies, and art and architecture. Posing compelling questions while challenging the conventional historiographical traditions, the authors (many of whom represent a new generation of Iranian studies scholars) give voice to a research approach that embraces the modern era's complexity while emphasizing Iranian nationalism's contested, multifaceted, and continuously transformative possibilities.

Annotation. Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color. & InThe Color of Stone,Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpture—color. Considering three major works—Hiram Powers’s Greek Slave, William Wetmore Story’s Cleopatra, and Edmonia Lewis’s Death of Cleopatra—she explores the intersection of race, sex, and class to reveal the meanings each work holds in terms of colonial histories of visual representation as well as issues of artistic production, identity, and subjectivity. She also juxtaposes these sculptures with other types of art to scrutinize prevalent racial discourses and to examine how the black female subject was made visible in high art. & By establishing the centrality of race within the discussion of neoclassical sculpture, Nelson provides a model for a black feminist art history that at once questions and destabilizes canonical texts. & Charmaine A. Nelson is assistant professor of art history at McGill University.

While much has been written about the impact of the 1979 Islamic revolution on life in Iran, discussions about the everyday life of Iranian women have been glaringly missing. Women in Place offers a gripping inquiry into gender segregation policies and women’s rights in contemporary Iran. Author Nazanin Shahrokni takes us onto gender-segregated buses, inside a women-only park, and outside the closed doors of stadiums where women are banned from attending men’s soccer matches. The Islamic character of the state, she demonstrates, has had to coexist, fuse, and compete with technocratic imperatives, pragmatic considerations regarding the viability of the state, international influences, and global trends. Through a retelling of the past four decades of state policy regulating gender boundaries, Women in Place challenges notions of the Iranian state as overly unitary, ideological, and isolated from social forces and pushes us to contemplate the changing place of women in a social order shaped by capitalism, state-sanctioned Islamism, and debates about women’s rights. Shahrokni throws into sharp relief the ways in which the state strives to constantly regulate and contain women’s bodies and movements within the boundaries of the “proper” but simultaneously invests in and claims credit for their expanded access to public spaces.