This now standard text examines key developments in Canadian history--form the founding of New France to the present--while highlighting the distinctive texture of women's experiences and identities. Of the 24 articles, 16 are new. Topics now include widows and orphans in 18th-century Quebec, women and slavery in early Canada, aboriginal/non-aboriginal marriage in colonial Canada, housewives in the Great Depression, wartime narratives of Japanese-Canadian women, lesbian bar cultures in the 1950s and 60s, and feminist discourse after the 9/11 attacks.

How has race shaped Canada’s international encounters and its role in the world? How have the actions of politicians, diplomats, citizens, and nongovernmental organizations reflected and reinforced racial power structures in Canada? In this book, leading scholars grapple with these complex questions, destabilizing conventional understandings of Canada in the world. Dominion of Race exposes how race-thinking has informed priorities and policies, positioned Canada in the international community, and contributed to a global order rooted in racial beliefs. While the contributors reconsider familiar topics, including the Paris Peace Conference and Canada’s involvement with the United Nations, they enlarge the scope of Canada’s international history by subject, geography, and methodology. By demonstrating that race is a fundamental component of Canada and its international history, this important book calls for reengagement with the histories of those marginalized in, or excluded from, the historical record.

The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).

Rethinking Who We Are takes a non-conventional approach to understanding human difference in Canada. Contributors to this volume critically re-examine Canadian identity by rethinking who we are and what we are becoming by scrutinizing the “totality” of difference. Included are analyses on the macro differences among Canadians, such as the disparities produced from unequal treatment under Canadian law, human rights legislation and health care. Contributors also explore the diversities that are often treated in a non-traditional manner on the bases of gender, class, sexuality, disAbility and Indigeniety. Finally, the ways in which difference is treated in Canada’s legal system, literature and the media are explored with an aim to challenge existing orthodoxy and push readers to critically examine their beliefs and ideas, particularly in an age where divisive, racist and xenophobic politics and attitudes are resurfacing.

Rethinking Canada is a collection of essays on the diverse lives, struggles, and contributions of women in Canadian history. Now in its sixth edition, this trusted text includes articles spanning from the 1600s to the present day. Eighteen new essays offer increased coverage of indigenous,immigrant, and racialized experiences; work and labour; sexuality and the body; religion and spirituality; politics; and shifts in regional analysis. Recent scholarship and fresh editorial commentaries combine to create an invaluable introduction not only to Canadian women's history, but also to thestudy of Canadian history as a whole.

An engaging introduction to the vibrant history of the political left in Canada