An essential road map to modern Asia’s dynamic transition on the world stage from the foreign policy expert and author of There Goes the Neighbourhood. The world has never seen economic development as rapid or significant as Asia’s during recent decades. Home to three-fifths of the global population, this restless continent will soon produce more than half of the world’s economic output and consume more energy than the rest of the world combined. All but three of the planet’s current and nascent nuclear powers are Asian, and it has the greatest growth in weapons spending of any other region. Yet, surprisingly little has been written about the future of Asia. Restless Continent is the first book to examine the economic, social, political, and strategic trends across the world’s largest continent, providing the necessary framework for thinking about the future of Asia—and the world. A professor of international affairs at Australian National University, Michael Wesley looks at the psychology of Asian countries becoming newly rich and powerful. He explores the geography and politics of conflict, and offers persuasive ideas about how to avert dispute, or even war. Written for general readers and policy specialists alike, Restless Continent is an agenda-shaping book about international affairs in the twenty-first century.

Poetry. Hybrid Genre. Lush with elemental imagery, Aja Couchois Duncan's RESTLESS CONTINENT communes with a North America that speaks elegiac, celebratory, and melancholic histories human and geological. In this collection, the body of that land and those histories fuses with the body of Duncan's language, the body of memory, and the physical body. Intertwining English with Ojibwe, this debut collection of poems ominously hails and holds us in its ethereal sound, bearing sharp witness to the ruptures perpetuated by the violences of humanity--bodies and lands colonizing and colonized, naming and othering, stamping life into disappearance--while inviting us to forge with Duncan the mythologies that suffuse her poems with crystalline grace and gratitude.

"Rich, detailed, and pitch-perfect, with the witty and wonderful skipping off every page." —Maxwell Carter, Wall Street Journal Frederick Russell Burnham’s (1861–1947) amazing story resembles a newsreel fused with a Saturday matinee thriller. One of the few people who could turn his garrulous friend Theodore Roosevelt into a listener, Burnham was once world-famous as “the American scout.” His expertise in woodcraft, learned from frontiersmen and Indians, helped inspire another friend, Robert Baden-Powell, to found the Boy Scouts. His adventures encompassed Apache wars and range feuds, booms and busts in mining camps around the globe, explorations in remote regions of Africa, and death-defying military feats that brought him renown and high honors. His skills led to his unusual appointment, as an American, to be Chief of Scouts for the British during the Boer War, where his daring exploits earned him the Distinguished Service Order from King Edward VII. After a lifetime pursuing golden prospects from the deserts of Mexico and Africa to the tundra of the Klondike, Burnham found wealth, in his sixties, near his childhood home in southern California. Other men of his era had a few such adventures, but Burnham had them all. His friend H. Rider Haggard, author of many best-selling exotic tales, remarked, “In real life he is more interesting than any of my heroes of romance.” Among other well-known individuals who figure in Burnham’s story are Cecil Rhodes and William Howard Taft, as well as some of the wealthiest men of the day, including John Hays Hammond, E. H. Harriman, Henry Payne Whitney, and the Guggenheim brothers. Failure and tragedy streaked his life as well, but he was endlessly willing to set off into the unknown, where the future felt up for grabs and values worth dying for were at stake. Steve Kemper brings a quintessential American story to vivid life in this gripping biography.

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.