"Over the millennia, the drainageway we now call the Santa Cruz River has seen many ebbs, flows, and floods. Throughout its long history, the river has meandered. It has flowed on the surface. It has carved deep fissures, and it has widened and narrowed.As readers of Requiem for the Santa Cruz learn, these are events that also have taken place in historic times. Authored by an esteemed group of scientists, Requiem for the Santa Cruz thoroughly documents this river, which flows through Tucson, Arizona, as a prime example of arroyo cutting, a process where heavy rains cut down through rock to create deep channeling. Each chapter provides a unique opportunity to chronicle the arroyo legacy, evaluate its causes, and consider its aftermath. Using more than a century of observations and collections, the authors reconstruct the physical, biological, and cultural circumstances of the river's entrenchment, widening, and subsequent partial filling. Today, communities everywhere face this conundrum: do we manageephemeral rivers through urban areas for flood control, or do we attempt to restore them to some previous state of naturalness? Requiem for the Santa Cruz carefully explores the channel-change legacy, the efficacy of attempts to stabilize it, and the nascent attempts at river restoration to give a long-term perspective on management of rivers in arid lands. Tied together by authors who have committed their life's work to the study of arid-land rivers, this book offers a touching and scientifically grounded requiem for the Santa Cruz and every southwestern river"--

In prehistoric times, the Santa Cruz River in what is now southern Arizona saw many ebbs, flows, and floods. It flowed on the surface, meandered across the floodplain, and occasionally carved deep channels or arroyos into valley fill. Groundwater was never far from the surface, in places outcropping to feed marshlands or ciénegas. In these wet places, arroyos would heal quickly as the river channel revegetated, the thriving vegetation trapped sediment, and the channel refilled. As readers of Requiem for the Santa Cruz learn, these aridland geomorphic processes also took place in the valley as Tucson grew from mud-walled village to modern metropolis, with one exception: historical water development and channel changes proceeded hand in glove, each taking turns reacting to the other, eventually lowering the water table and killing a unique habitat that can no longer recover or be restored. Authored by an esteemed group of scientists, Requiem for the Santa Cruz thoroughly documents this river—the premier example of historic arroyo cutting during the late nineteenth and early twentieth centuries, when large floodflows cut down through unconsolidated valley fill to form deep channels in the major valleys of the American Southwest. Each chapter provides a unique opportunity to chronicle the arroyo legacy, evaluate its causes, and consider its aftermath. Using more than a collective century of observations and collections, the authors reconstruct the circumstances of the river’s entrenchment and the groundwater mining that ultimately killed the marshlands, a veritable mesquite forest, and a birdwatcher's paradise. Today, communities everywhere face this conundrum: do we manage ephemeral rivers through urban areas for flood control, or do we attempt to restore them to some previous state of perennial naturalness? Requiem for the Santa Cruz carefully explores the legacies of channel change, groundwater depletion, flood control, and nascent attempts at river restoration to give a long-term perspective on management of rivers in arid lands. Tied together by authors who have committed their life’s work to the study of aridland rivers, this book offers a touching and scientifically grounded requiem for the Santa Cruz and every southwestern river.

This account of the drama in time that is Tucson begins not with the founding of the Presidio San Agustín on August 20, 1775, but with the emergence of Sentinel Peak in geologic deep time. It ends -- "To be continued"-- in 2014. It spans the periods of precontact with Europeans, Spanish colonization, Mexican nationhood, the territorial West, early and Depression era statehood, and the development of metropolitan Tucson after World War II. It offers not one definitive historical account but a collection of stories in which threads appear that may disappear beneath the surface for a while and reappear later, like some desert streams. It leaves spaces for, and invites the stories of, its readers. About the Author John Warnock was born in Tucson and graduated from Tucson High when it was one of the largest high schools in the nation. He attended Amherst College in Massachusetts, Oxford University in England, and the New York University School of Law. After teaching at the University of Wyoming in Laramie, he returned to Tucson in 1990 to join the English Department at the University of Arizona. He is now Professor Emeritus at UA and resides in Tucson.

In the accompanying essay, I briefly discuss the historical background of the Requiem Mass and the Dies irae, present salient structural features of Farewell For Now, connect selected themes present in the piece to excerpts from a few exemplary requiems, and examine an influential harmonic technique of Lutoslawski and its correlation to the dissertation composition.

Winner of the Stanford Dolman Travel Book of the Year (UK) "William Atkins is an erudite writer with a wonderful wit and gaze and this is a new and exciting beast of a travel book."—Joy Williams In the classic literary tradition of Bruce Chatwin and Geoff Dyer, a rich and exquisitely written account of travels in eight deserts on five continents that evokes the timeless allure of these remote and forbidding places. One-third of the earth's surface is classified as desert. Restless, unhappy in love, and intrigued by the Desert Fathers who forged Christian monasticism in the Egyptian desert, William Atkins decided to travel in eight of the world's driest, hottest places: the Empty Quarter of Oman, the Gobi Desert and Taklamakan deserts of northwest China, the Great Victoria Desert of Australia, the man-made desert of the Aral Sea in Kazkahstan, the Black Rock and Sonoran Deserts of the American Southwest, and Egypt's Eastern Desert. Each of his travel narratives effortlessly weaves aspects of natural history, historical background, and present-day reportage into a compelling tapestry that reveals the human appeal of these often inhuman landscapes.