Representations of Pain in Art and Visual Culture
Title | Representations of Pain in Art and Visual Culture PDF eBook |
Author | Maria Pia Di Bella |
Publisher | Routledge |
Total Pages | 265 |
Release | 2013-06-26 |
Genre | Art |
ISBN | 1136213023 |
The presentation of bodies in pain has been a major concern in Western art since the time of the Greeks. The Christian tradition is closely entwined with such themes, from the central images of the Passion to the representations of bloody martyrdoms. The remnants of this tradition are evident in contemporary images from Abu Ghraib. In the last forty years, the body in pain has also emerged as a recurring theme in performance art. Recently, authors such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have written about these themes. The scholars in this volume add to the discussion, analyzing representations of pain in art and the media. Their essays are firmly anchored on consideration of the images, not on whatever actual pain the subjects suffered. At issue is representation, before and often apart from events in the world. Part One concerns practices in which the appearance of pain is understood as expressive. Topics discussed include the strange dynamics of faked pain and real pain, contemporary performance art, international photojournalism, surrealism, and Renaissance and Baroque art. Part Two concerns representations that cannot be readily assigned to that genealogy: the Chinese form of execution known as lingchi (popularly the "death of a thousand cuts"), whippings in the Belgian Congo, American lynching photographs, Boer War concentration camp photographs, and recent American capital punishment. These examples do not comprise a single alternate genealogy, but are united by the absence of an intention to represent pain. The book concludes with a roundtable discussion, where the authors discuss the ethical implications of viewing such images.
Representations of Pain in Art and Visual Culture
Title | Representations of Pain in Art and Visual Culture PDF eBook |
Author | Maria Pia Di Bella |
Publisher | Routledge |
Total Pages | 232 |
Release | 2013-06-26 |
Genre | Art |
ISBN | 1136213031 |
The presentation of bodies in pain has been a major concern in Western art since the time of the Greeks. The Christian tradition is closely entwined with such themes, from the central images of the Passion to the representations of bloody martyrdoms. The remnants of this tradition are evident in contemporary images from Abu Ghraib. In the last forty years, the body in pain has also emerged as a recurring theme in performance art. Recently, authors such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have written about these themes. The scholars in this volume add to the discussion, analyzing representations of pain in art and the media. Their essays are firmly anchored on consideration of the images, not on whatever actual pain the subjects suffered. At issue is representation, before and often apart from events in the world. Part One concerns practices in which the appearance of pain is understood as expressive. Topics discussed include the strange dynamics of faked pain and real pain, contemporary performance art, international photojournalism, surrealism, and Renaissance and Baroque art. Part Two concerns representations that cannot be readily assigned to that genealogy: the Chinese form of execution known as lingchi (popularly the "death of a thousand cuts"), whippings in the Belgian Congo, American lynching photographs, Boer War concentration camp photographs, and recent American capital punishment. These examples do not comprise a single alternate genealogy, but are united by the absence of an intention to represent pain. The book concludes with a roundtable discussion, where the authors discuss the ethical implications of viewing such images.
Researching Representations of Pain in an Artwork, Particularly Focusing on Body Art of the 1970s and Exploring If; A) Masochism is Present, Using the Theoretical Framework of Theodor Reik, And, If So; B) Whether the Presence of Masochism Encourages the Presence of the Viewer in the Piece, Leading Them to Experience Or be Present in the Exchange of Affect
Title | Researching Representations of Pain in an Artwork, Particularly Focusing on Body Art of the 1970s and Exploring If; A) Masochism is Present, Using the Theoretical Framework of Theodor Reik, And, If So; B) Whether the Presence of Masochism Encourages the Presence of the Viewer in the Piece, Leading Them to Experience Or be Present in the Exchange of Affect PDF eBook |
Author | Jessie Hopkins |
Publisher | |
Total Pages | 60 |
Release | 2016 |
Genre | |
ISBN |
The Routledge Companion to Art and Disability
Title | The Routledge Companion to Art and Disability PDF eBook |
Author | Keri Watson |
Publisher | Taylor & Francis |
Total Pages | 465 |
Release | 2022-03-30 |
Genre | Social Science |
ISBN | 1000553434 |
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas
Title | Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas PDF eBook |
Author | |
Publisher | BRILL |
Total Pages | 462 |
Release | 2018-01-03 |
Genre | Art |
ISBN | 9004360689 |
A trans-cultural collection of studies on early modern imagery of the phenomena of pain and suffering and viewers’ potential responses. Authors variously consider pain and suffering as somatic, emotional, and psychological experiences.
Body as Crisis
Title | Body as Crisis PDF eBook |
Author | Marta Joanna Zarzycka |
Publisher | |
Total Pages | 261 |
Release | 19?? |
Genre | |
ISBN |
Algorithms of Anxiety
Title | Algorithms of Anxiety PDF eBook |
Author | Anthony Elliott |
Publisher | John Wiley & Sons |
Total Pages | 156 |
Release | 2024-07-09 |
Genre | Social Science |
ISBN | 1509555447 |
Machine learning algorithms are widely presumed to herald a world in which the crippling burdens of anxiety can be left behind. The digital revolution promises a brave new world where individuals, communities and organizations can at last take control of the future – anticipating, designing and commanding the future, possibly even with mathematical exactitude. Yet, paradoxically, algorithms have unleashed widespread fears and forebodings about the impact of digital technologies. Whether it’s worries about unemployment, distress about social media’s harmful effects on teenagers, or the fear of intrusive digital surveillance, we live in an age of turbo-charged anxiety where the prophecies of algorithms are increasingly enmeshed with fundamental disruption and anxieties about the future. In this book, Anthony Elliott examines how machine learning algorithms are not only transforming global institutions but also rewriting our personal lives. He tells this story through a wide-ranging analysis which takes in ChatGPT, Amazon, the Metaverse, Martin Ford, Netflix, Uber, Bernard Stiegler, Squid Game, Kate Crawford, LaMDA, Byung-Chul Han, autonomous drones, Jean Baudrillard and the automation of warfare. Questioning why people often assume that they need to adopt new technologies in order to lead fulfilling lives, Elliott argues that people may be as much entranced as inspired by their outsourcing of personal decision-making to smart machines.