Never mess with the relics of the old gods… or the pixies who once guarded them. After her mom’s disappearance six months ago, Bethany Aodhán has been running their tavern in old Deva—something her family had been doing ever since a light-fingered pixie lost them the job of guarding the treasures of the old gods eons ago. Then her brother, Lugh, is attacked, his best friend murdered, and the tavern firebombed. A confrontation with a former lover leads to the discovery of another murder and a missing jewel from a godly relic, and Beth learns that the Éadrom Hoard—one of three godly hoards now guarded by the elves—has been stolen. But this is no ordinary theft. Darker forces are at work, and they’re not only seeking the means to resurrect a god of destruction but the power to forever banish daylight. That power lay with Agrona’s Claws—three godly artifacts that, when used together, give the user full control over night itself. With the webs of suspicion drawing ever tighter around them, Beth & Lugh—with the help of two sexy elves and a cantankerous old goddess who knows far more than she admits—race to find the missing artifacts before those intent on unleashing chaos. It’s a race they must win, because it’s not just their lives on the line, but the fate of modern-day England.

Revised edition: This edition of The Relic Hunters includes editorial revisions.

A lost world. An ancient code. A deadly chase. Five ancient statues have been unearthed in South America, each containing a mysterious coded message hinting at an origin many thought impossible: the mythical world of Atlantis. As word of their discovery spreads, the prized figurines become a treasure bounty hunters will kill for. CIA agent Heidi Moneymaker calls in the only team for the job: Guy Bodie and his posse of relic-hunting thieves. If they are to find the ancient civilization, Bodie and his team must decode a series of clues--starting with the cipher on the statues themselves--that will take them across the world and to the deepest depths of the ocean. But they are not alone in their mission. Pursued by mysterious forces intent on keeping the legendary empire hidden, hunted by Chinese special forces and the relic hunters' lethal foe, the Bratva, the team races to find the lost land--and Bodie's enemies will stop at nothing to be the first to discover Atlantis's secrets.

A vanished relic. A deadly prize. The half-mad explorer Dante Caruso swears he's found a fabled Russian relic called the Amber Room, and he's attracting the wrong kind of attention. A ruthless team of Ukrainian relic hunters called R24 has kidnapped him and his family; they want to know where the Amber Room is--and they'll spill blood to find it. Nobody knows treasure hunting like Guy Bodie and his crew. But abduction is the last thing they expect. The R24 forces Guy, his treasure hunters, and Caruso at gunpoint to traverse the vast, unforgiving Tatra Mountains and find the Amber Room. If they fail, the R24 will end them. And if they run, the hunters will become the hunted. Armed only with Caruso's dubious instructions, Guy and his crew must find the Amber Room at all costs. Will they solve the deadly mystery of this long-lost relic, or will they die trying?

Relic Hunters is a study of the complex relationship between the people of 19th century America with the material antiquities of North America's indigenous past. As scholars struggled to explain their existence, farmers in Ohio were plowing up arrowheads, building their houses atop burial mounds, and developing their own ideas about antiquity. They experienced the new country as a "place with history" reflected in material traces that became important touch points for scientific knowledge, but for American cultural identity as well. Relic Hunters traces the encounter with American antiquities from 1812 to 1879. This encompasses the period when archaeology took root in the United States: it also spans the "deep settlement" of the Midwest and sectional strife both before and after the Civil War. At the center of the story is the first iconic find of American archaeology, known as "the Kentucky Mummy." Discovered deep in a cavern, this dessicated burial became the subject of scholarly competition, traveling exhibitions, and even poetry. The book uses the theme of the Kentucky Mummy to structure the broader story of the public and American antiquities, a tour that leads through rural museums, mound excavations, lecture tours, shady deals, and ultimately into the famous attic of the Smithsonian Institution. Ultimately, Relic Hunters is a story of the American landscape, and of the role of archaeology in shaping that place. Derived from letters, memoranda, and reports found in more than a dozen archives, this is a unique account of a critical encounter that shaped local and national identity in ways that are only now being explored.

Christopher Buckley’s “hilarious, bawdy, and irreverent frolic of a tale” about a sixteenth-century relic hunter and the artist Albrecht Dürer who conspire to fabricate Christ’s burial shroud reads “like Indiana Jones gone medieval” (USA TODAY). The year is 1517. Dismas is a relic hunter who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s demands for grander relics increase, Dismas and his artist friend Dürer fabricate a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes the trickery, so Albrecht puts Dismas and Dürer in the custody of four mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated artifact. On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination they realize they are not alone in their intentions to acquire a relic of dubious legitimacy. “A rollicking good time, Christopher Buckley has transported his signature wit and irreverence from the Beltway to sixteenth-century Europe in The Relic Master” (GQ). This epic quest, “as rascally and convivial as any that Mr. Buckley has written” (The Wall Street Journal), is filled with fascinating details about art, religion, politics, and science; Vatican intrigue; and Buckley’s signature wit “holds the reader till the very last page” (The New York Times Book Review).