Regina's Secret Spaces: Love and Lore of Local Geography is an anthology of essays and poems by eighty writers, artists, architects, musicians, patrons of the arts, and cultural theorists who were inspired by and answered the call of editors Lorne Beug, Anne Campbell and Jeannie Mah to share their favourite "Regina secret." Some submissions were quirky and whimsical, delighting in those things -- small, yet significant -- which bring joy and connect us to the place we live; others were more serious and more theoretical, examining power structures -- both past and present -- and how these have shaped and are yet shaping the city. Reflective, engaging and insightful, all express an abiding fondness for the city of Regina.

Wilf Perreault is in a class of artists known primarily for a single subject – in his case, the humble urban back alley. Coteau Books proudly joins forces with the MacKenzie Art Gallery to present a coffee-table book with more than a hundred full-colour images, accompanied by essays discussing the work of the artist best known as “Wilf”. Wilf Perreault contains an additional treat – 11 pieces of creative prose and poetry by Saskatchewan literary artists responding to Wilf's work in general, or to specific paintings that have inspired them. Walking up the alley with Wilf Perreault, we see how his work fits perfectly into the tradition established by Saskatchewan artists from Ernest Lindner to Joe Fafard to David Thauberger. His paintings are rendered in a breathtaking detail that asks us to take another, closer, look at the everyday. Born in the small Franco-Saskatchewan community of Albertville, Wilf Perreault studied art at the University of Saskatchewan and has been painting and teaching art in Regina since the early 1970s.

Saskatchewan and ghost stories. They go together like a grinning scarecrow in a whisper-dry October field. In 1995, Dundurn successfully published and reprinted numerous times the original Ghost Stories of Saskatchewan. Since that time, an eerie wealth of supernatural accounts have surfaced in this seemingly quiet prairie province. In this third collection, a quiet cemetery apperas to be a portal between the worlds of the living and the dead, a Victorian mansion-turned-restaurant in Moose Jaw remains occupied by the spectral image of the original lady of the house, and a weary traveller near Flaxcombe stops for coffee in a diner that burned to the ground a decade earlier. There are historical tales and personal accounts, legends and lore. And there is much to keep the dedicated ghost fan awake late into the night. Here the reader will find triple the history, mystery, and chills from one of Canada’s established authors int he paranormal genre.

While many volumes devoted to the punk and hardcore scenes in America grace bookstore shelves, CanadaOCOs contributions to the genre remain largely unacknowledged. For the first time, the birth of Canadian punkOCoa transformative cultural force that spread across the country at the end of the 1970sOCois captured between the pages of this important resource. Delving deeper than standard band biographies, this book articulates how the advent of punk reshaped the culture of cities across Canada, speeding along the creation of alternative means of cultural production, consumption, and distribution. Describing the origins of bands such as D.O.A., the Subhumans, the Viletones, and Teenage Head alongside lesser-known regional acts from all over Canada, it is the first published account of the first wave of punk in places like Regina, Ottawa, Halifax, and Victoria. Proudly staking CanadaOCOs claim as the starting point for many internationally famous bands, this book unearths a forgotten musical and cultural history of drunks and miscreants, future country stars, and political strategists."

Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes. While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this book look to local spaces, neighborhoods, cultural workers and stories to ground the global_that is, to interrogate the effect of media globalization before, during and after film and television shooting and onsite production. By locating migrating media, these chapters seek to determine the political, economic and cultural conditions that produce contemporary forms of televisual and cinematic storytelling, and how these processes affect the inhabitants, the 'look' and the very geopolitical future of local communities, neighborhoods, cities and regions. The focus on relocated screen production highlights the act of film- and television-making, both aesthetically and economically. To locate migrating media is therefore to determine the political and cultural economies of globalized sets and stages, be they in new studios or on city streets or, perhaps most importantly, in our imaginations.

The Forest Horses is a study in contrasts between two women, one an indomitable spirit living through a turbulent age and the other a troubled soul living in settled times. On midsummer’s eve, 1941, Lena, keeper of the forest horses of Gotland, is kidnapped by a Russian poacher along with her herd, and taken to Leningrad just in time to endure the two-year German siege of that city during World War II. Her captor, Pytor, becomes her husband and they and their horses take part in a daring and dangerous rescue effort that smuggles food and other supplies into Leningrad across the ice of Lake Ladoga. On one winter trip across this “Road of Life”, their daughter Signe is born into an icy world of strife, deprivation and horses. After the war, the family immigrates to the Canadian prairies to start a new life. Interwoven with this story is the journey of that same Signe, daughter of the ice, who departs from Regina on midsummer's eve 2005 to make her first journey back to the land where she was born. She’s on a mission to search out her beginnings, her people, and the possible meaning to be found for a life that has come to somehow mirror the harsh conditions of its beginning.