Marsh New York illustrations (including 4 in full color on covers): Coney Island, 14th St., subways, crowds, more.

WINNER OF THE BEST PUBLISHED ATLANTIC BOOK AWARD FOR 2006 PRESENTED BY THE ATLANTIC PUBLISHERS MARKETING ASSOCIATION. This volume celebrates the life and work of Helen and Reginald Shepherd and at the same time assesses their contribution to the visual arts in Newfoundland. It begins with an introduction by Ronald Rompkey to situate the Shepherds in the post-Confederation cultural milieu, followed by a general biographical and historical essay by Peter Gard, who wrote the catalogue for the AGNL exhibition "Helen Parsons Shepherd and Reginald Shepherd: Four Decades" in 1989. Next, jou alist and playwright Joan Sullivan explores through interviews with former students the environment created at the Newfoundland Academy of Art at 51 Cochrane Street. Lisa Moore, a fiction writer who also possesses a degree in visual art from NSCAD, follows with an investigation of the portrait as an art form and Helen Parsons Shepherd's career as a portraitist. The volume concludes with an essay on early printmaking in Newfoundland and Reginald Shepherd's work in this medium by Anne Pratt, who has had considerable experience as an art jou alist and critic. These essays constitute approximately half the volume, the remainder consisting of illustrations from the work of both artists.

Winner of the 2019 NAACP Image Award for Outstanding Literary Work in Poetry Finalist for the 2019 Los Angeles Times Book Prize in Poetry A searing volume by a poet whose work conveys "the visceral effect that prison has on identity" (Michiko Kakutani, New York Times). Felon tells the story of the effects of incarceration in fierce, dazzling poems—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life. The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. Challenging the complexities of language, Betts animates what it means to be a "felon."