This 1936 memoir by J. J. Thomson gives a fascinating picture of Cambridge scientific research during the period 1876-1936.

An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy. Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women's rights. She explores the forces that liberated her as a person and as a writer--books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.

Herinneringen van de Oostenrijkse psychoanalyticus.

Shadows of Slaughterhouse Five chronicles the story of 150 American POWs captured in the Battle of the Bulge and eventually caught up in one of the greatest tragedies of World War II - the firebombing of Dresden. This collection includes oral histories, previously unpublished memoirs, and letters from home and from the front that together tell their compelling story in their own words. From simple hometown beginnings through the awakenings of military life in basic training, from assignment on the supposed "quiet zone" in Belgium to the unexpected Battle of the Bulge, from forced march and entrainment to eventual assignment on work details in Dresden - the "Florence of the Elbe," to the inferno of Dresden on February 13-14, 1945, and the gruesome work details to follow, the individual and collective recollections and reflections of these 150 young men, the men housed in the famed Slaughterhouse Five, reveal a very personal side of war and the struggle for survival. Yet repatriation did not bring closure to this chapter of their young lives for like shadows their memories would forever be part of them. Today more than sixty years after the firebombing of Dresden, the statue of a steer wishing health and happiness to the citizens of Dresden still stands at the entrance to the public slaughterhouse, a silent witness to the maelstrom that descended upon Dresden and this group of 150 American POWs housed within. Now after more than 60 years of silence for most of these men, Kurt Vonnegut's fellow POWs tell their story of Slaughterhouse Five, in their words as they saw it - dog face young soldiers assured that the war was soon to be over!

The account of the author’s life, spent between Europe and America, is at the same time an account of his generation, one that came of age between the two World Wars. Recalling not only circumstances of his own situation but that of his friends, the author shows how this generation faced a reality that seemed fragmented, and in their shared thirst for knowledge and commitment to ideas they searched for cohesiveness among the glittering, holistic ideologies and movements of the twenties and thirties. The author’s scholarly work on the German Resistance to Hitler revealed to him those who maintained dignity and courage in times of peril and despair, which became for him a life’s pursuit. This work is unique in its thorough inclusion of the postwar decades and its perspective from a historian eager to rescue the “other” Germany—the Germany of the righteous rather than the Holocaust murderers.