When two brave women flee from the Communist Red Scare, they soon discover that no future is free from the past. Amid the glitz and glamour of 1950s New York, Phoebe Adler pursues her dream of screenwriting. A dream that turns into a living nightmare when she is blacklisted—caught in the Red Menace that is shattering the lives of suspected Communists. Desperate to work, she escapes to London, determined to keep her dream alive and clear her good name. There, Phoebe befriends fellow American exile Hannah Wolfson, who has defied the odds to build a career as a successful television producer in England. Hannah is a woman who has it all, and is now gambling everything in a very dangerous game—the game of hiring blacklisted writers. Neither woman suspects that danger still looms . . . and their fight is only just beginning.

Stitchers today can find great inspiration from antique samplers stitched by children and young women in the 1800's. Six old samplers in the author's collection are the focus of this book, and charts are provided to help today's needleworkers recreate these pieces. Advice and information are also included about looking for and purchasing old samplers, how "wabi-sabi" can inspire crafting and decorating, and why the color red continues to be such a draw for those who love art and decoration. Charts in this book are provided in full-color. While most of the stitching is full cross stitch, a few specialty stitches, like cross over-one, and long-armed cross, are used here-and-there. These are good beginner projects, as the original stitchers were children.

Millions of people read the Bible every day, yet few know why we have red-letter Bibles that distinguish Jesus' words from all other words. Debbie Dupuy offers an in-depth study of these red-letter words of Jesus with the hope that as you read and study, you will see red as truth, love, and the power that can transform your life.

The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC. London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living. READERS GUIDE INCLUDED

Jazz Callender — don't ever call her Jasmine — is an ex-cop with a goal: opening her own private detective agency and proving her former partner is innocent of murder. Too bad no one will lend her the money. Until a sexy lawyer with the devil's own grin appears with an offer she can't refuse.… $100,000. A savvy new partner. And an agreement to make any case arriving via red envelope a top priority. But if Jazz accepts, there's no turning back. Because once she opens that envelope, all hell's gonna break loose.…

This heartwarming true story chronicles what happened after a mother gorilla gave birth for the first time and then walked away from her newborn baby at Seattle's Woodland Park. The dedicated staff worked tirelessly to find innovative ways for mother and baby to build a relationship. The efforts were ultimately successful, as baby Yola bonded with her mother and the rest of the family group.