This book explores the history and development of English alliterative meter, and considers why the form has remained so enigmatic.

The poetry we call 'alliterative' is recorded in English from the seventh century until the sixteenth, and includes Caedmon's 'Hymn', Beowulf, Sir Gawain and the Green Knight, and Piers Plowman. These are some of the most admired works of medieval English literature, and also among the most enigmatic. The formal practice of alliterative poets exceeded the conceptual grasp of medieval literary theory; theorists are still playing catch-up today. This book explains the distinctive nature of alliterative meter, explores its differences from subsequent accentual-syllabic forms, and advances a reformed understanding of medieval English literary history. The startling formal variety of Piers Plowman and other Middle English alliterative poems comes into sharper focus when viewed in diachronic perspective: the meter was in transition; to understand it, we need to know where it came from and where it was headed at the moment it died out.

A revisionary account of the 900-year-long history of a major poetic tradition, explored through metrics and literary history.

'For editors of alliterative verse, this book is essential reading'. Susanna Fein, Speculum, lxxxv (2010), pp. 457 - 458. 'A model of meticulousness and sensible argument'. Thomas Bredehoft, Review of English Studies, lx (2009), pp. 802 - 804. The volume provides a comprehensive study of the metre of the unrhymed poems of the Alliterative Revival. It includes detailed analysis and discussion of line endings, alliterative patterning, historical grammar, the relationship between linguistic stress and beat, and presents new discoveries regarding the metrical rules of the a-verse. Readers interested in the metre and textual criticism of alliterative poems, such as Sir Gawain and the Green Knight, The Siege of Jerusalem and the Alexander fragments, will find this monograph 'an outstanding, scholarly, assured and important work' (Ruth Kennedy, Royal Holloway, University of London).

English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics.