A visionary of the Greenwich Village nightlife scene in the 1950s and 60s, photographer Robert James Campbell vigorously documented New York's jazz era, and its metamorphosis into the beat and folk movements. Despite Campbell's artistic prowess--evident in his arresting images of the people who would shape the American cultural landscape for generations to come--Campbell died alone in a homeless shelter in Burlington, Vermont in 2002. His identity, and former life as an esteemed photojournalist for The Village Voice and Downbeat Magazine, would only be revealed by the unlikely discovery by a young college graduate of his ephemera and personal belongings within a trove of cardboard boxes. Rebirth of the Cool is the story of Robert James Campbell as reconstructed by Jessica Ferber, and born from tragedy; Campbell, once a wildly talented artist, but wrought by mental demons, financial hardship, and health failure, had to give up his passionate work at what should have been the prime years of his career, having succumbed to his deteriorating body and mind. Campbell left New York for LA and then disappeared into New England with little hope, but resolute to keep and care for his art he managed to diligently transport his negatives and images with him throughout his turbulent life, and ultimately with him into homelessness. At the height of his photographic career Campbell captured the likes of John Coltrane, The Modern Jazz Quartet, Philly Joe Jones, Count Basie, Bud Powell, Richie Havens, Chuck Berry, and more. Shot onstage and off, the intimacy of the photos is moving and prescient. Rebirth of the Cool collects the best of Campbell's work, shot at legendary clubs like Birdland, The Village Vanguard, and The Gaslight Cafe, as well as street photography, international work from his time spent in Germany, and tour photography. The era in which Campbell photographed was brief and precious, and the content he left behind represents a time capsule--a rebirth and regeneration--of a moment that was flashpoint for the culture and heritage of New York, and the nation as a whole.

Having retired from crime-fighting at the tender age of 14, Static is astonished to be called back to arms by some of his fellow 'Bang Babies', all empowered in the 'Big Bang' battle. But even with the help of the mighty hero Hardware, can Static defeat Dakota's greatest superhero - now become its greatest villain?

A Pachuco named Kool gave up a life of bootlegging to open up a Jazz nightclub in East Los Angeles at the end of the Depression. But his dream was short lived. An event dubbed "The Zoot Suit Riots" would change his world forever.

Having retired from crime-fighting at the tender age of 14, Static is astonished to be called back to arms by some of his fellow “Bang Babies,” all empowered in the “Big Bang” battle. But even with the help of the mighty hero Hardware, can Static defeat Dakota’s greatest superhero-who has now become its greatest villain?

Static, currently appearing in TEEN TITANS, is back in this new collection of classic stories from his hit Milestone series!When a mutagenic gas accidentally gave him superhuman abilities, Virgil Hawkins was reborn as Static, the electrically powered teen Super Hero. And while Static tries to balance the pressures of his school work, after-school job and family life, he also protects his inner city neighborhood against villains including Holocaust and Commando X. Collecting STATIC #1-4 and STATIC SHOCK!: REBIRTH OF THE COOL #1-4.

DC Comics continues its launch of the Milestone comics line, presenting adventures of a culturally diverse mix of superheroes, set in the fictional city of Dakota. In the debut of STATIC, Virgil Hawkins, a typical 15-year old, has undergone a bizarre biochemical change. This change involves a secret identity, powerful manipulation of electrostatic forces... and the threat of a superpowered punk, Hotstreak!

The Rhetoric of Cool: Composition Studies and New Media offers a historical critique of composition studies’ rebirth narrative, using that critique to propose a new rhetoric for new media work. Author Jeff Rice returns to critical moments during the rebirth of composition studies when the discipline chose not to emphasize technology, cultural studies, and visual writing, which are now fundamental to composition studies. Rice redefines these moments in order to invent a new electronic practice. The Rhetoric of Cool addresses the disciplinary claim that composition studies underwent a rebirth in 1963. At that time, three writers reviewed technology, cultural studies, and visual writing outside composition studies and independently used the word cool to describe each position. Starting from these three positions, Rice focuses on chora, appropriation, commutation, juxtaposition, nonlinearity, and imagery—rhetorical gestures conducive to new media work-- to construct the rhetoric of cool. An innovative work that approaches computers and writing issues from historical, critical, theoretical, and practical perspectives, The Rhetoric of Cool challenges current understandings of writing and new media and proposes a rhetorical rather than an instrumental response for teaching writing in new media contexts.