Raymond Williams was “by common consent” one of the “two most commanding intellectual figures in the New Left that emerged in Britain at the turn of the sixties,” the other being Edward Thompson. Williams published in 1961 a text entitled “The Future of Marxism.” In that essay, Williams has some remarkable things to say about imperialism, the successes of actually existing socialism, balanced against its failures, and the continued relevance of socialism as the horizon of human liberation. He also makes a characteristic methodological point: “the relation between systems of thought and actual history is both complex and surprising.” The future of Marxism, that is to say, will not depend on dogma, but will instead rest on historical developments, on how well are able to actualize Marx’s ideals in our own unique conjuncture. This volume takes up the challenge of reading and extending Williams’s thought in light of the actual history that has occurred since his passing but with the same ideal of socialism as its guiding horizon. If there is one thread visible throughout all of Williams’s work, it is the felt presence of a living, thinking individual, of a person continually testing ideas in experience in order to see whether they fit the world they are meant to describe. The aim of this volume, timed to coincide with what would have been Williams’s 100th birthday, is to test his ideas in our own experience and to engage Williams’s work in ways that move past the familiar terrain that has grown around it. We now know that “experience” is a dangerous category, that “community” can be hijacked by the right as much as the left, and that “tradition” contains as much conflict as commonality. Those committed to Williams’s work can easily find textual arguments or developments across his career to answer these charges, and they have. What our volume offers is a set of arguments by younger scholars influenced by Williams’s writings that moves past some of these debates, extending Williams’s work into the 21st century, testing and weighing his ideas in light of recent developments and contemporary intellectual culture. In doing so, we treat Williams’s thought as one of those “resources of hope,” which he famously suggested would sustain us. At a time of deepening inequality and austerity and growing rightward reaction, and yet simultaneously, and with seeming dialectical necessity, a renewed investment in socialism, Williams might be exactly the kind of figure we need.

Williams's fascinating investigation into forms of communication as they stood in 1962 - computers, radio, television, printing, photography, film - remains remarkably relevant today. The idea that reality is primary, and that communication of that reality secondary, is debunked - if we take the view that there is life, and then afterwards accounts of it, we degrade art and learning. Communications are, he argues, a major way in which reality is continually formed and changed. This is Williams's compelling introduction to modern means and institutions of communication.

This carefully-structured reader presents a survey of the whole body of Williams' existing work, providing existing readers with a new perspective on his writings, and new readers with the opportunity to explore his ideas in depth.

This classic study examines the place of literature within Marxist cultural theory, and offers an assessment of the contributions of previous thinkers to Marxist literary theory.

Brand new collection of the essential essays from one of the founders of cultural studies, Raymond Williams Raymond Williams was a pioneering scholar of cultural and society, and one of the outstanding intellectuals of the twentieth century. In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer. Published to coincide with the centenary of his birth and showing the full range of his work, from his early writings on the novel and society, to later work on ecosocialism and the politics of modernism, Politics and Culture shows Williams at both his most accessible and his most penetrating.An essential book for all those interested in the politics of culture in the twentieth century, and the development of Williams's work.

Raymond Williams’s work was always concerned with the relation between culture and society. This book focuses on specific texts and authors, exploring the historical and cultural sources of their particular forms of writing. In it, Williams examines dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel; David Hume and Charles Dickens and the changing characteristics of English prose; Robert Tressell, The Ragged-Trousered Philanthropists, and the role of region and class in the English novel. Also included are Williams’s reflections on the rise of English studies, on their crisis as the literary traditions of Cambridge University were beset by the ‘structuralist controversy’, and on the wider implications of this redefinition of the critical field.