The first Latin American actor to become a superstar, Ramon Novarro was for years one of Hollywood's top actors. Born Ramon Samaniego to a prominent Mexican family, he arrived in America in 1916, a refugee from civil wars. By the mid-1920s, he had become one of MGM's biggest box office attractions, starring in now-classic films, including The Student Prince, Mata Hari, and the original version of Ben-Hur. He shared the screen with the era's top leading ladies, such as Greta Garbo, Myrna Loy, Joan Crawford, and Norma Shearer, and he became Rudolph Valentino's main rival in the “Latin Lover” category. Yet, despite his considerable professional accomplishments, Novarro's enduring hold on fame stems from his tragic death—his bloodied corpse was found in his house on Halloween 1968 in what has become one of Hollywood's most infamous scandals. A lifelong bachelor, Novarro carefully cultivated his image as a man deeply devoted to his family and to Catholicism. His murder shattered that persona. News reports revealed that the dashing screen hero had not only been gay, but he was dead at the hands of two young, male hustlers. Since then, details of his murder have achieved near mythic proportions, obscuring Novarro's professional legacy. Beyond Paradise presents a full picture of the man who made motion picture history. Including original interviews with Novarro's surviving friends, family, coworkers, and the two men convicted of his murder, this biography provides unique insights into an early Hollywood star—a man whose heart was forever in conflict with his image and whose myth continues to fascinate today.

Ramon Novarro was Ben-Hur to moviegoers long before Charlton Heston. The 1926 film made Novarro--known as "Ravishing Ramon"--one of Hollywood's most beloved silent film idols. His bright and varied career, spanning silents, talkies, the concert stage, theater, and television, came to a dark conclusion with his murder in 1968. This comprehensive work details both the private and public aspects of Novarro's life to return him to his rightful place in film history. Includes a complete filmography and numerous photos.

Hollywood in the Jazz Age What really happened during the filming of the exciting Ben-Hur chariot race? Could there have been a secret motive behind the deadly "accidents" that day in 1925? Was there a killer loose on the set in Culver City? This intriguing premise provides the backdrop for a unique portrait of "The Dream Factory" at its colorful, uninhibited peak. A runaway farm boy from Missouri, hired to wrangle horses for M-G-M, crosses paths with a famous but unhappy screen beauty. They see in each other an unexpected reflection of what is missing from their lives. They flirt with romance and temptation while interacting with many of the great stars and filmmakers working on the most costly epic of the silent film era. But what will they do when they come face-to-face with murder? How will they react when presented with their own roles to play in the ultimate coverup? More than a story of old Hollywood, The Ben-Hur Murders is about passions as untamed as its chariot race--and of the age-old human struggle between conscience and corruption.

Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger's charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, Granger was a celebrated figure in films like Strangers on a Train, Rope, Senso, and They Live by Night, bringing to the big screen a stunningly memorable presence. But behind his characters, he was an intensely complex man. In his richly told memoir, Granger details his life with disarming candor. Rich in personal insight, he describes his relationships with both men and women and reminisces about screen legends he knew with private familiarity—from Shelley Winters to Joan Crawford to Leonard Bernstein. Recreating not only his personal struggles but his legendary struggle to free himself of his contract with Sam Goldwyn, Granger reveals none so elegantly as he does himself. Include Me Out is as much a story of classic Hollywood glamour as it is a collection of iconic theatrical portraits, all from the man who knew them all.

First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

Here, for the first time, the stories of Hollywood's gay stars are seen in context with their times and with one another, revealing a pattern of intimidation by the studios and, ultimately, the establishment of the Hollywood closet. Alone among his contemporaries - Ramon Novarro, Cary Grant, Tyrone Power - Haines refused to play the game, and so was booted out.