Published in the UK in 1995. Arising from a project by the Quilters' Guild in Britain to create a national index of quilts, this study records many different styles and traditions of quilt, and quilts with special associations. Discusses people involved in quilt making, and also topics such as patterns, applique, embellishment and embroidery, reading a quilt, and imported quilts. Includes over 170 colour illustrations and an index.

This work is the result of a three-year project carried out by the Quilters' Guild in Britain, the aim of which was to create the first national index of quilts in the country made prior to 1960. There are over 150 colour illustrations, including examples of: wholecloth quilts; pieced quilts; military, Bible and signature quilts; Red Cross quilts from Canada (sent as war relief); American quilts from the 1930s; applique panels from Egypt; and embroidery from China. With chapters written by some of the leading authorities on quilts, quilting and textiles, this book provides both a record of historical interest and a source of inspiration to contemporary quiltmakers.

Patchwork quilts are hugely evocative emblems of our domestic past. With no two quite the same, each example hints both at the story of the particular household in which it was produced and at a larger piece of social history. But quilting is by no means only historical, with the craft seeing a huge revival in popularity in recent years, and items that were once made for purely utilitarian and practical reasons are now produced and appreciated for the connection they afford us to a rich vein of heritage and nostalgia. Illustrated with a stunning range of examples from the Quilters' Guild Collection – of which the author is curator – this book is a wonderful introduction to a hugely important aspect of British domestic history.

An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.

Starting with the early years of Victoria's reign, this practical book examines the developments and evolution of fashionable dress as it progressed throughout her six decades as queen. From the demure styles of the 1840s to the exaggerated sleeves of the 1890s, it explores the ever-changing Victorian silhouette, and gives patterns, instructions and advice so that the amateur dressmaker can create their own versions of these historic outfits. Contents include: information on tools and equipment; a guide to transferring pattern pieces; a concise guide to the various layers of Victorian underwear; and step-by-step instructions with colour photographs to help construct the patterns and advice on how to personalize each outfit. Illustrations of fashion plates, Victorian carte de visite photographs and original surviving garments provide visual inspiration and reference. There are seven main project chapters, each starting with an overview of the main fashions characteristic to that style of dress, and giving patterns, instructions and advice to enable the amateur dressmaker to create their own versions of these historic outfits. With 309 beautiful colour photographs including illustrations of fashion plates and Victorian carte de visite photographs, this will be an invaluable resource for the dressmaker.