The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.

A Little Gay History of Wales is the first book-length historical examination of LGBT activism in Wales laying out the campaign for equality in the twentieth century, the campaigns against Section 28, student and community activism, and recent developments such as Stonewall Cymru. It is an example of pioneering archival research, drawing on never-before studied records which charts the lives of ordinary LGBT men and women across Wales. It also features wide-ranging historical analysis stretching from the medieval period through to the modern-day, providing guides to changing language, places where LGBT people met and socialised, and their day-to-day experiences of coming out, threats of persecution, and acceptance.

This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.

This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.

A man's own story from the Rhondda. Jeffrey Weeks was born in the Rhondda in 1945, of mining stock. As he grew-up he increasingly felt an outsider in the intensely community-minded valleys, a feeling intensified as he became aware of his gayness. Escape came through education. He left for London, to university, and to realise his sexuality. From the early 1970s he was actively involved in the new gay liberation movement and became its pioneering historian. This was the beginning of a long career as a researcher and writer on sexuality, with widespread national and international recognition. He has been described as the 'most significant British intellectual working on sexuality to emerge from the radical sexual movements of the 1970s.' His seminal book, Coming Out, a history of LGBT movements and identities since the 19th century, has been in print for forty years. He was awarded the OBE in the Queen's Jubilee Honours in 2012 for his contribution to the social sciences.

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.

A Little Gay History of Wales tells the compelling story of Welsh LGBT life from the Middle Ages to the present day. Drawing on a rich array of archival sources from across Britain, together with oral testimony and material culture, this pioneering study is the first to examine the experiences of ordinary LGBT men and women, and how they embarked on coming out, coming together and changing the world. This is the story of poets who wrote about same-sex love and translators who worked to create a language to describe it; activists who campaigned for equality and politicians who created the legislation providing it; teenagers ringing advice lines for guidance on coming out, and revellers in the pioneering bars and clubs on a Friday and Saturday night. It is also a study of prejudice and of intolerance, of emigration and isolation, of HIV/AIDS and Section 28 – all features of the complex historical reality of LGBT life and same-sex desire. Engaging and accessible, absorbing and perceptive, this book is an important advance in our understanding of Welsh history.