A canonizing, bold, and urgent anthology setting a new precedent for Black Punk Lit, created by generations of Black punks—featuring both new voices and those from the not-so-recent past Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks—especially the Black ones—a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves. Curated from the perspective of Black writers with connections to the world of punk, the collection mixes media as well as generations, creating a new reference point for music-lovers, readers, and historians by capturing the present and looking towards the future. With strong visual elements integrated throughout, this smart, intimate collection is demonstrative of punk by being punk itself: underground, rebellious, aesthetic but not static—working to decenter whiteness by prioritizing other perspectives. Edited by graphic novelist and filmmaker James Spooner, and author Chris L. Terry, contributors to the collection include critic Hanif Abdurraqib and Mars Dixon, conversations with Brontez Purnell, and a roundtable of all femme festival organizers.

What is contemporary punk culture and how are those that practice it attempting to define their generation? We are all aware of the cliches of the leather clad and mohawked figure spitting and snarling into the camera. It has been seen a thousand times on TV, in the press and even on London's souvenir postcards. This is the image that, while once feared by conservative societies across the globe, has become a cartoon or pastiche of itself. Rendered harmless by the corporate flogging of its music, style and art, in its previous state it can no longer be classed as a subversive movement. However, punk and its core values have survived. In most ways it has morphed and evolved into something unrecognisable as its former self but the sprit lives on. This book attempts express the very nature of modern punk by looking at those closest to it.

Punk Now!! brings together papers from the second incarnation of the Punk Scholars Network International Conference and Postgraduate Symposium, with contributions from revered academics and new voices alike in the field of punk studies. The collection ruminates on contemporary and non-Anglophone punk as well as its most anti-establishment tendencies. It exposes not only modern punk, but also punk at the margins: areas that have previously been poorly served in studies on the cultural phenomenon. By compiling these chapters, Matt Grimes and Mike Dines offer a critical contribution to a field that has been saturated with nostalgic and retrospective research. The range and depth of these chapters encapsulates the diverse nature of the punk subculture--and the adjacent academic study of punk--today.

What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity. Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.

Examines the impact of punk on fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture.

Get ready for a rollercoaster ride through the vibrant, rebellious world of punk! "PUNK: Loud Guitars, Louder Statements" is your all-access pass to a cultural phenomenon that rocked the world. If you're looking for music, fashion, and a revolutionary attitude, you've found it. This isn't just a music genre; it's a lifestyle, an unstoppable force that defied convention and redefined what it means to be an individual. Experience the gritty birth of punk in the heart of New York and London, where it rose against the excesses of disco and progressive rock with a raw, unfiltered sound. Meet the legends who became the faces of punk—The Ramones, Sex Pistols, Green Day and many more. Their music and attitude ignited a global movement that still resonates today. Step into the wild world of punk fashion, where DIY rebellion becomes an art form. Explore the underground venues, zines, and festivals that became the breeding grounds for a global phenomenon. Discover the controversies and challenges that pushed punk's authenticity and resilience to the limit. But punk is not just history; it's a living, breathing spirit. From political activism to conquering the digital age, punk's unapologetic voice is louder than ever. "PUNK: Loud Guitars, Louder Statements" is a love letter to the rebels, the non-conformists, and the change-makers who've left an indelible mark on our world. Are you ready to crank up the volume and join the punk revolution? If so, this book is your ultimate backstage pass to the bold, unforgettable world of punk. Whether you're a seasoned punk fan or a curious newcomer, there's something here for everyone. Get ready to be inspired, provoked, and thoroughly entertained by the unstoppable force that is punk.

When it began, punk was an underground revolution that raged against the mainstream; now punk is the mainstream. Tracing the origins of Grammy-winning icons Green Day and the triumphant resurgence of neo-punk legends Bad Religion through MTV's embrace of pop-punk bands like Yellowcard, music journalist Matt Diehl explores the history of new punk, exposing how this once cult sound became a blockbuster commercial phenomenon. Diehl follows the history and controversy behind neo-punk—from the Offspring's move from a respected indie label to a major, to multi-platinum bands Good Charlotte and Simple Plan's unrepentant commercial success, through the survival of genre iconoclasts the Distillers and the rise of "emo" superstars like Fall Out Boy. My So-Called Punk picks up where bestselling authors Legs McNeil and Jon Savage left off, conveying how punk went from the Sex Pistol's "Anarchy in the U.K." to anarchy in the O.C. via the Warped Tour. Defining the sound of today's punk, telling the stories behind the bands that have brought it to the masses and discussing the volatile tension between the culture's old and new factions, My So-Called Punk is the go-to book for a new generation of punk rock fans.