What does it mean to be an intellectual in Egypt today? What is expected from an 'authentic scholar'? Hatsuki Aishima explores these questions byexamining educated, urban Egyptians and their perceptions of what it means to be 'cultured' and 'middle class' - something that, as a result of the neoliberal policies of Egyptian government, is widely thought to be a shrinking sector of society. Through an analysis of the media representations of 'Abd al-Halim Mahmud (1910-78), the French-trained Sufi scholar and the Grand Imam of al-Azhar under president Anwar al-Sadat, Aishima discusses the connection of Islam to these middle-class considerations and makes an original contribution to the debate on the commodification of religious teaching and knowledge. Public Culture and Islam in Modern Egypt is thereby aunique addition to the fields of anthropology, Middle East and media studies.

Examines the influence of Islam, as a religion, a practice, and a tradition, on Egypt's visual and literary modernity.

Seminar paper from the year 2004 in the subject Politics - International Politics - Region: Near East, Near Orient, grade: very good, University of Vienna (Institute for Politcal Science), course: African Political Systems, language: English, abstract: In the vast field of political culture on the one hand and public participation, respectively democratisation, on the other hand I will start by limiting the field of my study by defining its aims. My first guiding thesis is that there is a cleavage between state and society in Egypt and I want to show some aspects and dimensions of its present status and its historical origins. The two central fields of my study will be firstly the actual secular state practice and its ideological origins and secondly Islam, its influence in Egyptian society, and its compatibility to liberal trends, the concept of civil society or democracy in general. To look at public participation in any state is an ambitious task, for the field of participation is broad and hard to measure. I will deal with political public participation. Public participation can be limited to social groups, like syndicates. By aims I am referring to the fact that different groups have different participatory intentions. This aspect becomes more interesting when looking at Islamist groups. Looking at public participation is at the same time looking at democratic processes and political culture of the society being analysed. This includes regarding in what way the preconditions for political participation are provided: Freedom of opinion and expression, freedom of assembly, freedom of press and last but not least education. Political culture includes as well many cultural aspects of the society analysed, here Islam comes in as a religion as well as a theoretical system for a society respectively a state. All those being components of political culture, the basic research questions are consequently: What is public participation, or rather what will be the definiti

Examines how popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.

What does it mean to be an intellectual in Egypt today? What is expected from an 'authentic scholar'? Hatsuki Aishima explores these questions byexamining educated, urban Egyptians and their perceptions of what it means to be 'cultured' and 'middle class' - something that, as a result of the neoliberal policies of Egyptian government, is widely thought to be a shrinking sector of society. Through an analysis of the media representations of 'Abd al-Halim Mahmud (1910-78), the French-trained Sufi scholar and the Grand Imam of al-Azhar under president Anwar al-Sadat, Aishima discusses the connection of Islam to these middle-class considerations and makes an original contribution to the debate on the commodification of religious teaching and knowledge. Public Culture and Islam in Modern Egypt is thereby aunique addition to the fields of anthropology, Middle East and media studies.

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

For 130 years, tensions have raged over the place of Islamic ideas and practices within modern Egypt. This history focuses on a pivotal yet understudied school, Dar al-Ulum, whose alumni became authoritative arbiters of how to be modern and authentic within a Muslim-majority community, including by founding the Muslim Brotherhood.