Missio Alliance Essential Reading List Hearts Minds Bookstore's Best Books RELEVANT's Top 10 Books Englewood Review of Books Best Books When Soong-Chan Rah planted an urban church in Cambridge, Massachusetts, his first full sermon series was a six-week exposition of the book of Lamentations. Preaching on an obscure, depressing Old Testament book was probably not the most seeker-sensitive way to launch a church. But it shaped their community with a radically countercultural perspective. The American church avoids lament. But lament is a missing, essential component of Christian faith. Lament recognizes struggles and suffering, that the world is not as it ought to be. Lament challenges the status quo and cries out for justice against existing injustices. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. It critiques our success-centered triumphalism and calls us to repent of our hubris. And it opens up new ways to encounter the other. Hear the prophet's lament as the necessary corrective for Christianity's future. A Resonate exposition of the book of Lamentations.

Believers know that when we die we enter heaven and will spend eternity there with God and the saints who have gone before us. But what actually happens in heaven? What are we going to be doing there? Won't it get boring at some point? According to Scripture, a large part of our experience of heaven will be a continual revealing of God's glory. Not just his glory in the moment, but during all of time. The mysteries of providence, the hidden movements of God throughout history, and the forgotten and unnoted works of even the most obscure of God's people will be unveiled so that we can see how wise, loving, gracious, and powerful our God is. And though we will experience perfection in heaven, we will never be omniscient, which means we will always be learning more about God's glory, inspiring us to return joyful praise and thanksgiving. If your vision of heaven has been limited to clouds and harps and angels, it's time to expand that view with the truth found in this biblically based look at the afterlife.

How would ordinary African Christians interpret the figure and book of Job--the quintessential biblical book on suffering--from contexts of extreme poverty, tropical disease, and rampant suffering? How do African Christians culturally understand issues of theodicy and the nature of evil? What role does the devil play in African Pentecostalism? How does the biblical lament empower faith and foster hope for people living with HIV/AIDS? In what way does a theology of (eschatological) hope inform the spirituality and prayers of ordinary African believers in the midst of suffering? Inside the Whirlwind offers insight on these fascinating questions. Based upon the perspectives of Fang Christians in Spanish-speaking Equatorial Guinea (Central Africa), the thematic and theological reflections on evil, suffering, and hope emerging from sermons and Bible studies on the book of Job offer a remarkable window to view the main theological issues shaping grassroots African Christianity in the twenty-first century.

Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.

This remarkable first novel from award-winning short fiction writer Ken Scholes will take readers away to a new world—an Earth so far in the distant future that our time is not even a memory; a world where magick is commonplace and great areas of the planet are impassable wastes. But human nature hasn't changed through the ages: War and faith and love still move princes and nations. In Lamentation, the first entry in the Psalm of Isaak series, an ancient weapon has completely destroyed the city of Windwir. From many miles away, Rudolfo, Lord of the Nine Forest Houses, sees the horrifying column of smoke rising. He knows that war is coming to the Named Lands. Nearer to the Devastation, a young apprentice is the only survivor of the city—he sat waiting for his father outside the walls, and was transformed as he watched everyone he knew die in an instant. Soon all the Kingdoms of the Named Lands will be at each others' throats, as alliances are challenged and hidden plots are uncovered. The Psalms of Isaak #1 Lamentation #2 Canticle #3 Antiphon #4 Requiem #5 Hymn At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Psalms, Part 2, and Lamentations is Volume XV of The Forms of the Old Testament Literature, a series that aims to present a form- critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical procedures so as to enable students and pastors to engage in their own analysis and interpretation of the Old Testament texts. This volume completes Erhard Gerstenberger's widely praised discussion of the psalms literature begun in Volume XIV, and includes as well an admirable study of the book of Lamentations. Gerstenberger interprets the different kinds of songs and prayers that comprise the book of Psalms in light of their socio-historical settings and provides a concise formal and structural analysis of each biblical text based on an illuminating comparison with other ancient Near Eastern prayers and hymns. Seeing the biblical writings in relation to the social, cultic, religious, and theological conceptions of Israel's neighoring peoples allows contemporary readers to better grasp the purpose and spiritual meaning of the psalms and Lamentations to the Jewish community that composed them.