The corpus of astrological material ascribed to the Egyptian priest Manetho consists of six books of poetry. This book serves as the companion to the one published by OUP in 2020, which was the first commentary in any language on the earliest three books of Manetho's poetry (two, three, and six as they appear in the manuscript). This volume supplies the remainder (books four, one, and five). Manetho was credited with a series of didactic poems which list outcomes for planetary set-ups in a birth chart. The books covered in this volume are not as easily dated as those in the first volume, but the most recent is probably no later than the fourth century and they are still Egyptian. As in the first volume, their descriptions of the kinds of person who are born under happy and unhappy configurations of stars speak to the lived realities, aspirations, and fears of the astrologer's clientele. Unlike in the first volume, however, the individual books treated here have different authors, and there is more emphasis on profiling individual poets in terms of style, metre, and mannerisms. As in the first volume, there is a Greek text with English translation and an apparatus with parallel material to enable comparison with related works. But this volume pays more attention to the transmission of traditional material from one author to another, and to the special approach required of an editor of material which, being in practical use, circulated in unstable and minutely-varying textual forms.

This is the first commentary in any language on three of the books of ancient Greek astrological poetry ascribed to the Egyptian priest Manetho. The volume includes a Greek text with English translation and an apparatus with parallel material to enable comparison with related works.

The corpus of astrological material ascribed to the Egyptian priest Manetho consists of six books of poetry. This book serves as the companion to the one published by OUP in 2020, which was the first commentary in any language on the earliest three books of Manetho's poetry (two, three, and six as they appear in the manuscript). This volume supplies the remainder (books four, one, and five). Manetho was credited with a series of didactic poems which list outcomes for planetary set-ups in a birth chart. The books covered in this volume are not as easily dated as those in the first volume, but the most recent is probably no later than the fourth century and they are still Egyptian. As in the first volume, their descriptions of the kinds of person who are born under happy and unhappy configurations of stars speak to the lived realities, aspirations, and fears of the astrologer's clientele. Unlike in the first volume, however, the individual books treated here have different authors, and there is more emphasis on profiling individual poets in terms of style, metre, and mannerisms. As in the first volume, there is a Greek text with English translation and an apparatus with parallel material to enable comparison with related works. But this volume pays more attention to the transmission of traditional material from one author to another, and to the special approach required of an editor of material which, being in practical use, circulated in unstable and minutely-varying textual forms.

The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context. The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.

Despite the relevance of astrology in Graeco-Roman mentality, our information about the early period of Hellenistic astrology is marred by the scarcity of original sources. Personal astrology did not take off until the late Hellenistic period, due to the more substantial Hellenization of Mesopotamia facilitating the import of Babylonian theories. The most relevant doctrines, mostly surviving as references and partial paraphrases in later authors and astrological miscellanies, are attached to the pseudepigraphical names of Nechepsos and Petosiris, which have been traced back to the Egyptian Demotic tradition. Critodemus, who is classified as a later author even if Firmicus Maternus invokes him as a founding authority, appears as a parallel to these Egyptian transmitters, in that he presented astrology, like them, in the form of a didactic poem, but employing an Orphic frame instead of Egyptian. By collecting, contextualizing, and analyzing all the evidence on this author, this book establishes a relatively early chronology for Critodemus and aims both at distinguishing his original contributions and at explaining the various forms in which his text was used and modified in the later tradition.

The first translation, produced by a team of eight scholars, of the Declamations and Preliminary Talks of the sixth-century sophist Choricius of Gaza. Declamations, deliberative or judicial orations on fictitious themes, were the fundamental advanced exercises of the rhetorical schools of the Roman Empire, of interest also to audiences outside the schools. Some of Choricius' declamations are on generic themes (e.g. a tyrannicide, a war-hero), while others are based on specific motifs from Homeric times or from classical Greek history. The Preliminary Talks were typical prefaces to orations of all kinds. This volume also contains a detailed study of Choricius' reception in Byzantium and Renaissance Italy. It will be of interest to students of late antiquity, ancient rhetoric, and ancient education.