The corpus of astrological material ascribed to the Egyptian priest Manetho consists of six books of poetry. This book serves as the companion to the one published by OUP in 2020, which was the first commentary in any language on the earliest three books of Manetho's poetry (two, three, and six as they appear in the manuscript). This volume supplies the remainder (books four, one, and five). Manetho was credited with a series of didactic poems which list outcomes for planetary set-ups in a birth chart. The books covered in this volume are not as easily dated as those in the first volume, but the most recent is probably no later than the fourth century and they are still Egyptian. As in the first volume, their descriptions of the kinds of person who are born under happy and unhappy configurations of stars speak to the lived realities, aspirations, and fears of the astrologer's clientele. Unlike in the first volume, however, the individual books treated here have different authors, and there is more emphasis on profiling individual poets in terms of style, metre, and mannerisms. As in the first volume, there is a Greek text with English translation and an apparatus with parallel material to enable comparison with related works. But this volume pays more attention to the transmission of traditional material from one author to another, and to the special approach required of an editor of material which, being in practical use, circulated in unstable and minutely-varying textual forms.

This is the first commentary in any language on three of the books of ancient Greek astrological poetry ascribed to the Egyptian priest Manetho. The volume includes a Greek text with English translation and an apparatus with parallel material to enable comparison with related works.

The corpus of astrological material ascribed to the Egyptian priest Manetho consists of six books of poetry. This book serves as the companion to the one published by OUP in 2020, which was the first commentary in any language on the earliest three books of Manetho's poetry (two, three, and six as they appear in the manuscript). This volume supplies the remainder (books four, one, and five). Manetho was credited with a series of didactic poems which list outcomes for planetary set-ups in a birth chart. The books covered in this volume are not as easily dated as those in the first volume, but the most recent is probably no later than the fourth century and they are still Egyptian. As in the first volume, their descriptions of the kinds of person who are born under happy and unhappy configurations of stars speak to the lived realities, aspirations, and fears of the astrologer's clientele. Unlike in the first volume, however, the individual books treated here have different authors, and there is more emphasis on profiling individual poets in terms of style, metre, and mannerisms. As in the first volume, there is a Greek text with English translation and an apparatus with parallel material to enable comparison with related works. But this volume pays more attention to the transmission of traditional material from one author to another, and to the special approach required of an editor of material which, being in practical use, circulated in unstable and minutely-varying textual forms.

The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context. The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.

The Roman practice of crucifixion was so abhorrent that even the Romans didn’t talk about it. Yet their government practiced crucifixion for centuries. What drew the crowds to the killing fields to watch people die such torturous deaths? What enabled those elite soldiers in the Roman killing squads to crucify their victims with the precision and skill of a hospital surgeon? These and many other questions are answered in this book. Of the thousands of people who fell victim to “the most pitiable of deaths,” one is much better known than all the others—Jesus of Nazareth. Most Christians know something of Jesus’ crucifixion because of the Gospel narratives, but to enhance our appreciation of the Savior’s death, we benefit by knowing more about Roman crucifixion. Roman Crucifixion and the Death of Jesus provides a deeper understanding of how, where, and why someone could be crucified and helps to inform us of Jesus’ crucifixion. Armed with a better grasp of Roman crucifixion, we can more fully appreciate Jesus’ pain, his purpose, and his prayers from Calvary’s cross.

What if you could transport yourself back to the first century, walking the dusty streets of Jerusalem, late on Thursday night before Passover? And what if you were tagging along behind eleven men led by Jesus to the Garden of Gethsemane? You'd leave the Upper Room and go deep into the Kidron Valley to the garden. There the temple police and a half-crazed crowd arrive brandishing torches. Jesus is taken to the palace of Annas and then to the High Priest Caiaphas. What insight do we gain from history, archaeology, and most importantly the New Testament about where they lived? In the morning Jesus would be sent to the Chamber of Hewn Stone. What was this place and why is it important to the Passion narratives? On to Pilate's Judgment Hall where new archaeological evidence questions its traditional location. You pick up the trail again on the Via Dolorosa and follow Jesus to Jerusalem's killing field. There you find the Savior dying on a Roman cross. In just a few hours you have followed him from the Upper Room to Joseph's tomb and have gained valuable insight into each stopover to help you on your own journey to Calvary.

Examine the Evidence Surrounding Jesus No other figure has impacted history like Jesus. Yet today, he’s often seen as a mythical character whose legend increased over time. So what does the historical and archaeological evidence say about Jesus? Archaeologist Dr. Titus Kennedy has investigated firsthand the discoveries connected to Jesus’ birth, ministry, crucifixion, and resurrection. He has visited and excavated where Jesus walked, and examined the artifacts connected to Jesus’ life. Here, he presents an up-to-date and comprehensive overview of the research and findings that illuminate the historicity of Christ as presented in the Bible. Excavating the Evidence for Jesus progresses chronologically through the Gospels, noting the many relevant archaeological, historical, geographic, and literary findings. As you read, you’ll be able to decide for yourself whether the evidence confirms the existence and story of Jesus, and determine whether the Gospels are worthy of being approached not as legends, but as history. Further, you’ll gain a deeper understanding of the historic basis of Christianity, a richer knowledge of the ancient world, and an evidence-based perspective on the reliability of the Bible.