Spanish Romantic discourse that highlights ways in which the mythic story of Western modernity was shaped by transnational European power-politics.

The fraught tension between science and religion has loomed large in scholarship about the nineteenth century in Spain, especially given the prominence of the Catholic Church and the discoveries made by Wallace and Darwin. The struggle for epistemological superiority between these two discourses (science and religion) has served to overshadow certain corners of the cultural landscape that, though prominent sites of intellectual exploration in their day, have received comparatively less scholarly attention until recently. Fringe Discourses brings together a group of essays that seeks to restore a sense of the epistemological richness of nineteenth-century Spain. By exploring the relationship between epistemology, modernity, and subjectivity, these essays recover significant efforts by Spanish authors and intellectuals to explain human nature and their world, which seemed to be changing so radically before their eyes. In doing so the essays also reveal just how elastic the relationship was between science and pseudoscience, genius and quackery. Offering a veritable Wunderkammer, the authors collected here train their sights both on curious fields of study (from pogonolgy, the science of beards, to Spiritualism) and curiouser people (from a government spy on undercover assignment in Morocco dressed as a Moorish prince to a hypnotic huckster who dupes the queen regent). With other authors focusing on science fiction dystopias, mystical journeys, and anatomical symbology, Fringe Discourses reveals the Spanish nineteenth century for the intellectual Wild West it was.

This major study develops a new account of modernity and its relation to the self. Building upon the ideas set out in The Consequences of Modernity, Giddens argues that 'high' or 'late' modernity is a post traditional order characterised by a developed institutional reflexivity. In the current period, the globalising tendencies of modern institutions are accompanied by a transformation of day-to-day social life having profound implications for personal activities. The self becomes a 'reflexive project', sustained through a revisable narrative of self identity. The reflexive project of the self, the author seeks to show, is a form of control or mastery which parallels the overall orientation of modern institutions towards 'colonising the future'. Yet it also helps promote tendencies which place that orientation radically in question - and which provide the substance of a new political agenda for late modernity. In this book Giddens concerns himself with themes he has often been accused of unduly neglecting, including especially the psychology of self and self-identity. The volumes are a decisive step in the development of his thinking, and will be essential reading for students and professionals in the areas of social and political theory, sociology, human geography and social psychology.

Moving beyond the individualisation paradigm in sociological theory, this book develops an approach to the analysis of human activities and the social phenomena produced by them that centres on the processes that generate coordinated behaviours among individuals. Emphasising the relational and processual character of social phenomena, as well as the importance of a broader cultural and historical context for analysing them, the author questions the view of contemporary society that sees individuals acting in a context in which social bonds are dissolving, and unveils the rationale hidden behind the chaos of everyday activities. Through an analysis of the continued importance of cooperation and the consequent emergence in society of various kinds of communities, this volume examines the changing character of social ties. An overview of transformation of social bonds and the intensification of mutual influences among individuals as they seek to address social dilemmas in new contexts, The Individual after Modernity will appeal to social scientists with interests in social theory.

Value in Modernity examines a historical paradigm in ethics that has hitherto not been identified as such: existential modernism. Peter Poellner discusses the central claims of this paradigm through detailed examination of the thought of four of its main exponents: Friedrich Nietzsche, Max Scheler, Jean-Paul Sartre, and Robert Musil. In the case of Nietzsche and Sartre, Poellner offers novel interpretations, reconstructing lines of thought in their work that have usually been neglected. He also offers a new assessment of Scheler's subtle phenomenological version of affective value intuitionism, which is a crucial influence on Sartre's existentialism but has so far enjoyed virtually no reception in an anglophone context. Musil's philosophical novel The Man without Qualities is interpreted as contributing a highly original version of ethical perfectionism to the existential modernist paradigm. While Musil's thought on emotions and moods has begun to receive philosophical recognition in recent years, the significance of the philosophical core of his seminal work has so far not been fully appreciated. In Poellner's interpretation, what we find in the existential modernists is an approach in ethical philosophy that combines a qualified form of affective value intuitionism and a kind of ethical perfectionism. This book reconstructs and defends a version of this approach that integrates elements drawn from each of these thinkers, supplemented by an original elaboration of ideas only implicit in some of them.

Winner of the American Sociological Association’s Distinguished Book Award in 2012, Chandra Mukerji offers with this remarkable new book an explanation of the birth and subsequent proliferation of the many strands in the braid of modernity. The journey she takes us on is dedicated to teasing those strands apart, using forms of cultural analysis from the social sciences to approach history with fresh eyes. Faced with the problem of trying to understand what is hardest to see: the familiar, she gains analytic distance and clarity by juxtaposing cultural analysis with history, asking how modernity began and how people conjured into existence the world we now recognize as modern. Part I describes the genesis of key modern social forms: the modern self, communities of strangers, the modern state, and the industrial world economy. Part II focuses on modern social types: races, genders, and childhood. Part III focuses on some of the cultural artifacts and activities of the contemporary world that people have invented and used to cope with the burdens of self-making and to react against the broken promises of modern discourse and the silent injuries of material modernism. Beautifully illustrated with over 100 color photographs in its 10 chapters, MODERNITY REIMAGINED is not just an explanation, an analysis of how modern life came to be, it is also a model for how to do cultural thinking about today’s world.

The first full-length account of modernism from the perspective of literary geography.