Allied propaganda and Eire censorship were a vital part of the conflict over Irish neutrality in the Second World War. Based upon original research in archives in Ireland, Great Britain, the United States and Canada, this study opens a new page in the history of wartime propaganda and censorship. It examines the channels of propaganda , including the press and other print media, broadcasting and film, employed in Eire and the agencies which operated them, and the structure and operations of the Eire censorship bureau which sought to repress them . It also looks at the role played by Irish-Americans in the conflict, some of whom supported, while others opposed, Irish neutrality. Which side could win this "e;war of words"e;? Could British and American propaganda overcome Eire neutrality, or would re censorship guarantee that it could not? In this detailed and wide-ranging examination of the "e;war of words"e; over Eire neutrality, the author addresses such subjects as public opinion, government policies, propaganda planning, objectives, content and channels of dissemination, and the purpose and tactics of censorship.

"This is the first major study of Ireland's Emergency censorship which was in place for the duration of the Second World War. Drawing largely on primary source material which has only recently come into the public domain. Donal O Drisceoil provides a comprehensive account and analysis of this hitherto unexplored episode of Irish history." "This political/security censorship covered all media and communications and was one of the harshest regimes of its kind, particularly in comparison to other neutrals. Its purpose was to contribute to the preservation of the state and its neutrality, to 'keep the temperature down' both within the state and between Ireland and the belligerents. To this end, war news was 'neutralised', including the suppression of reports of the Holocaust; newspapers were seized; newsreels and films such as Chaplin's The Great Dictator were banned; coverage of social, economic and political issues was severely restricted; and the expression of opinions on the war, neutrality and much else of importance was curtailed. Few escaped its net, including bishops and government ministers." "This book examines all aspects of the censorship and explains its relative extremism by placing it in the context of Irish political culture and the particular nature of the state's wartime neutrality. In the process it adds to our understanding of these subjects, while the story of the censorship provides a window of enquiry into the politics and society of wartime Ireland. This book is a valuable contribution to contemporary Irish history, but also has topical relevance to present-day debates concerning censorship, democracy and neutrality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Irish Literature of the Second World War: The Stylistics of Neutrality considers the impact of the wartime languages of propaganda, censorship, and espionage on the work of major Irish-born writers, in order to close a literary-historical gap in the way that the Second World War has been read. Samuel Beckett, Elizabeth Bowen, Louis MacNeice, and Flann O'Brien came to artistic maturity during the war years, but their war-related work has often been read as either literature of the British Home Front (Bowen's novel The Heat of the Day and MacNeice's collection, Springboard) or absurdist work without a wartime context (Beckett's Watt and O'Brien's The Third Policeman). Countering a long-held cultural mandate that the experience of World War II was "alien" to neutral Ireland and its literature, recent scholarship on Irish wartime neutrality has paved the way for crucial rereadings of Irish wartime literature. This dissertation demonstrates that major works by these canonical Irish writers are also major literary works of the Second World War. I suggest that is because these Irish texts do take on the vexed question of war, and more particularly of the ways war calls into question language's ability to function as a neutral conduit, that they constitute an important body of work. Characterized by stylistic contortions that challenge readability, the Irish literature of World War II challenges conventional definitions and geographies of the literature of war.

This volume of essays on the social, political and military history of Ireland during the Second World War explores the Irish contribution to the Allied cause, in particular the role and experience of Irish men and women who served in the British armed forces during the war. Also covered is the history of Northern Ireland during the war period, as are apsects of the post-war historiography of Irish involvement in the Allied struggle.

Irish neutrality during the Second World War presented Britain with significant challenges to its security. Exploring how British agencies identified and addressed these problems, this book reveals how Britain simultaneously planned sabotage in and spied on Ireland, and at times sought to damage the neutral state's reputation internationally through black propaganda operations. It analyses the extent of British knowledge of Axis and other diplomatic missions in Ireland, and shows the crucial role of diplomatic code-breaking in shaping British policy. The book also underlines just how much Ireland both interested and irritated Churchill throughout the war. Rather than viewing this as a uniquely Anglo-Irish experience, Eunan O'Halpin argues that British activities concerning Ireland should be placed in the wider context of intelligence and security problems that Britain faced in other neutral states, particularly Afghanistan and Persia. Taking a comparative approach, he illuminates how Britain dealt with challenges in these countries through a combination of diplomacy, covert gathering of intelligence, propaganda, and intimidation. The British perspective on issues in Ireland becomes far clearer when discussed in terms of similar problems Britain faced with neutral states worldwide. Drawing heavily on British and American intelligence records, many disclosed here for the first time, Eunan O'Halpin presents the first country study of British intelligence to describe and analyse the impact of all the secret agencies during the war. He casts fresh light on British activities in Ireland, and on the significance of both espionage and cooperation between intelligence agencies for developing wider relations between the two countries.

Where previous histories of Ireland in the war years have focused on high politics, That Neutral Island mines deeper layers of experience. Stories, letters, and diaries illuminate this small country as it suffered rationing, censorship, the threat of invasion, and a strange detachment from the war.

Essay from the year 2013 in the subject History - America, grade: 66points > 1,9, University of Warwick (Dept. of History), course: North America: Themes and Problems, language: English, abstract: “The war came as a great relief, like a reverse earthquake, that in one terrible jerk shook everything disjointed, distorted, askew back into place. Japanese bombs had finally brought national unity to the U.S.”. All nations participating in the Second World War used one or another strategy to commit their countries to war. Government-conducted manipulation of informing a people can be differentiated into an active channel, propaganda, and a non-active one, censorship. Even though, propaganda and censorship usually cohere, this essay shall only throw a light on how US-American censorship shaped the average citizen’s perception before, while, and after World War II.