This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what ‘the Kremlin’ is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or ‘recursion’, showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events, and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare.

Thirty years after the end of the Soviet Union, multiple ghosts haunt Russia, its elites, and its society, from concern over demographic and economic decline to worry about the country’s vulnerability to external intervention, reviving the old notion of Russia as a “besieged fortress.” Faced with both a West that emerged victorious from the Cold War and a shockingly dynamic China, Russia constantly questions its identity and the notion that its fate is to bridge East and West. This book offers a comprehensive overview of Russia’s fears and challenges that could help the American public to understand how the country deals with its own issues and how this influences Russia’s foreign policy, including the ongoing war in Ukraine. This is critical to understanding Russia’s international stance and its impact on US policy and security.

This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by Kremlin allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.

This book focuses on how Russia has perpetually redefined Russianness in reaction to the wider world. Treating culture as an expanding field, it offers original case studies in Russia’s imperial entanglements; the life of things ‘Russian’, including the language, beyond the nation’s boundaries, and Russia’s positioning in the globalized world.

This book presents the results of extensive research into the very interesting phenomenon of local museums—kraevedschskyi museums—in Russia’s regions. It outlines how numerous such museums are, how long they have existed, what they display, and how this has changed, or not, from Soviet times up to the present. It shows how the museums’ displays often are about nature, history, and society. It goes on to discuss how what is portrayed represents particular interpretations of knowledge— including the heroism of the Soviet past, a colonial-style view of Russia’s very many non-Russian people, and the failure to mention things which might present Russia in a critical way. The book is much more than ‘museum studies’: it sheds a great deal of light on how Russians think about themselves and about how this self-view is fostered, and it also highlights the vast regional differences which exist in Russia.

Over the course of the nineteenth century Siberia developed a fearsome reputation as a place of exile, often imagined as a vast penal colony and seen as a symbol of the iniquities of autocratic and totalitarian Tsarist rule. This book examines how Siberia’s reputation came about and discusses the effects of this reputation in turning opinion, especially in Western countries, against the Tsarist regime and in giving rise to considerable sympathy for Russian radicals and revolutionaries. It considers the writings and propaganda of a large number of different émigré groups, explores American and British journalists’ investigations and exposé press articles and charts the rise of the idea of Russian political prisoners as revolutionary and reformist heroes. Overall, the book demonstrates how important representations of Siberian exile were in shaping Western responses to the Russian Revolution.

This book presents theoretical and empirical investigation of economic growth in Russia. The sharp decline in the national production that Russia endured in the 1990s, linked directly to the exhausting and ill-planned transition from the planned economy to the market economy, resulted in Russia plunging into the poverty trap. The goal of this book is to determine whether and how Russia manages to overcome the poverty trap and initiate and sustain economic growth. This book fills the gap between the volatile economic growth as an objective economic reality of Russia and the lack of scholarly literature on the issue. This study identifies the place and role of foreign aid in economic growth in the market-type post-transitional Russian economy and concludes that foreign aid does not play any significant role in the national economy, contrary to what would follow from the classical poverty trap theory, considered, reviewed, applied and tested in this study. Development economists should not overestimate the role of foreign aid in overcoming the poverty trap in those developing economic systems that are currently not in equilibrium and only move toward their steady state. The book will be of interest to those who want to learn more about specific problems in Russia’s newly built capitalism, the country’s perspectives and its current semi-peripheral status. The book will also be an excellent supplement for students in Russian studies programs, as well as for investors who want to do business in Russia and try to understand the country’s domestic economic conditions and processes.