This volume includes "Nations in Tune: the Influence of Irish music on the Breton Musical Record" by Yann Bevant; "Ethnicity, Geography, and the Passage of Dominion in the Mabinogi and Brut Y Brenhinedd" by Christina Chance; "Rejecting Mother's Blessing: the Absence of the Fairy in the Welsh Search for National Identity" by Adam Coward; "Gwalarn: An Attempt to Renew Breton literature" by Gwendal Denez; "At the Crossroads: World War One and the Shifting Roles of Men and Women in Breton Ballad Song Practice" by Natalie Franz; "Apocryphal Sanctity in the Lives of Irish Saints" by Maire Johnson; " 'An Dialog wtre Arzur Roe d'an Bretounet ha Guynglaff' and Its Connections with the Arthurian tradition" by Herve Le Bihan; "A Walk on the Wild Side: Women, Men and Madness" by Edyta Lehmann; "The Early Establishment of Celtic Studies in North American Universities" by Michael Linkletter; " 'The Marshalled Fence of Battle of All the Men of Earth' A Reading of C Chulainn's First Recension r astrad" by Elizabeth Moore; "Dreams of Medieval Scottish Nationhood: The Epic Case of William Wallace" by Kylie Murray; " 'Some of You Will Curse Her' Women's Fiction During the Irish-language Revival" by Riona Nic Congail; "Dating Peredur: New Light on Old Problems" by Natalia I. Petrovskaia; " 'From the Shame You Have Done' Comparing the stories of Blodeuedd and Bl thnait" by Sarah Pfannenschmidt; " 'And There was a Fourth son Llefelys' Narrative Structure and Variation in Cyfranc Lludd a Llefelys" by Kelly Ann Randell; and "Fabricating Celts: How Iron Age Iberians became Indo-Europeanized during the Franco Regime" by Aaron Alzola Romero and Eduardo Sanchez-Moreno.

This book provides an overview of Irish gender history from the end of the Great Famine in 1852 until the foundation of the Irish Free State in 1922. It builds on the work that scholars of women’s history pioneered and brings together internationally regarded experts to offer a synthesis of the current historiography and existing debates within the field. The authors place emphasis on highlighting new and exciting sources, methodologies, and suggested areas for future research. They address a variety of critical themes such as the family, reproduction and sexuality, the medical and prison systems, masculinities and femininities, institutions, charity, the missions, migration, ‘elite women’, and the involvement of women in the Irish nationalist/revolutionary period. Envisioned to be both thematic and chronological, the book provides insight into the comparative, transnational, and connected histories of Ireland, India, and the British empire. An important contribution to the study of Irish gender history, the volume offers opportunities for students and researchers to learn from the methods and historiography of Irish studies. It will be useful for scholars and teachers of history, gender studies, colonialism, post-colonialism, European history, Irish history, Irish studies, and political history. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book is a comprehensive single-volume history of literature in the two major languages of Wales from post-Roman to post-devolution Britain.

This is a selection of papers on all facets of Celtic studies from the Harvard Celtic Colloquium conference in 2011.

Bodies and their role in cultural discourse have been a constant focus in the humanities and social sciences in recent years, but comparatively few studies exist about Old Norse-Icelandic or early Irish literature. This study aims to redress this imbalance and presents carefully contextualised close readings of medieval texts. The chapters focus on the role of bodies in mediality discourse in various contexts: that of identity in relation to ideas about self and other, of inscribed and marked skin and of natural bodily matters such as defecation, urination and menstruation. By carefully discussing the sources in their cultural contexts, it becomes apparent that medieval Scandinavian and early Irish texts present their very own ideas about bodies and their role in structuring the narrated worlds of the texts. The study presents one of the first systematic examinations of bodies in these two literary traditions in terms of body criticism and emphasises the ingenuity and complexity of medieval texts.

Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research. Professor Helen Fulton's influential scholarship has pioneered our understanding of the links between Welsh and European medieval literature. The essays collected here pay tribute to and reflect that scholarship, by positioning Celtic languages and literatures in relation to broader European movements and conventions. They include studies of texts from medieval Wales, Ireland, and the Welsh March, alongside discussions of continental multicultural literary engagements, understood as a closely related and analogous field of enquiry. Contributors present new investigations of Welsh poetry, from the pre-Conquest poetry of the princes to late-medieval and early Tudor urban subject matters; Welsh Arthuriana and Irish epic; the literature of the Welsh March - including the writings of the Gawain-poet; and the multilingual contexts of medieval and post-medieval Europe, from the Dutch speakers of polyglot medieval Calais to the Romantic poet Shelley's probable ownership of a Welsh Bible.