"This. Book. The characters. You will fall in love with them, and you will devour this book so quickly, you'll end up wanting to read it all over again. I loved it!" — New York Times bestselling author Monica Murphy When I signed up for the nanny agency, I didn't expect a remote mansion on a windswept cliff. Or a brooding billionaire who resents his new role. His brother's death means he's now in charge of a moody seven year old girl. She's lashing out at the world, but I can handle her. I have to. I need the money to finish my college degree. As long as I can avoid the boss who alternately mocks me and coaxes me to reveal my darkest secrets. “An insanely absorbing and addicting contemporary tale reminiscent of Jane Eyre with all the sex and secrets you never knew you needed.” — #1 New York Times bestselling author Rachel Van Dyken PRIVATE PROPERTY is a full-length contemporary novel from New York Times bestselling author Skye Warren about secrets and redemption. It's the first book in the emotional Rochester trilogy. "Skye Warren's modern, steamy retelling of Jane Eyre hooked me from page one! A moody, fast-paced and deliciously dirty read" — New York Times bestselling author Elle Kennedy "An incredible five star read! Skye Warren delivers an unconventional, yet utterly explosive romance in Private Property." — USA Today bestselling author Jenika Snow “Private Property is pure brilliance! I was hooked from page one. With steam and grit, Warren captures your attention and has you begging for the next chapter. Book gold!” — USA Today bestselling author Adriana Locke "A brooding billionaire, a gothic setting, and a whole lot of steam—Warren's nod to Jane Eyre had me entranced from page one!" — #1 New York Times bestselling author Helen Hardt "I was up all night devouring every drop of the dark and dangerous Mr. Rochester." — New York Times bestselling author Laurelin Paige "Haunting, provocative, and riveting. This modern spin on gothic romance will have you on the edge of your seat!" — New York Times bestselling author Shayla Black "A compelling love story between a brooding hero and a determined heroine all set against a moody gothic background. You won't want to miss this." — USA Today bestselling author Louise Bay “Private Property will captivate you in the best way. I was a Skye Warren virgin before and I have zero regrets after taking the plunge! And trust me when I say, once you start, you won’t be able to stop.” — USA Today bestselling author Daniela Romero "Beautifully haunting and romantic! Private Property is completely captivating from the first page to the last." - Kate Canterbary, author of the Walsh Family series

Author of Madness, Rack, and Honey ("One of the wisest books I've read in years," according to the New York Times) and Trances of the Blast, Mary Ruefle continues to be one of the most dazzling poets in America. My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play in a finely crafted edition. Personalia When I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body. Slowly, over time, and taking great care in following esoteric instructions, including lavender baths and the ritual burial of keys in the backyard, I rid myself of her presence. Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her. Mary Ruefle is the author of Trances of the Blast; Madness, Rack, and Honey: Collected Lectures, a finalist for the 2013 National Book Critics Circle Award in criticism; and Selected Poems, winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It), and a comic book, Go Home and Go to Bed!; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries as well as published in the book A Little White Shadow. Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont and teaches in the MFA program at Vermont College.

If legal scholar Richard Epstein is right, then the New Deal is wrong, if not unconstitutional. Epstein reaches this sweeping conclusion after making a detailed analysis of the eminent domain, or takings, clause of the Constitution, which states that private property shall not be taken for public use without just compensation. In contrast to the other guarantees in the Bill of Rights, the eminent domain clause has been interpreted narrowly. It has been invoked to force the government to compensate a citizen when his land is taken to build a post office, but not when its value is diminished by a comprehensive zoning ordinance. Epstein argues that this narrow interpretation is inconsistent with the language of the takings clause and the political theory that animates it. He develops a coherent normative theory that permits us to distinguish between permissible takings for public use and impermissible ones. He then examines a wide range of government regulations and taxes under a single comprehensive theory. He asks four questions: What constitutes a taking of private property? When is that taking justified without compensation under the police power? When is a taking for public use? And when is a taking compensated, in cash or in kind? Zoning, rent control, progressive and special taxes, workers’ compensation, and bankruptcy are only a few of the programs analyzed within this framework. Epstein’s theory casts doubt upon the established view today that the redistribution of wealth is a proper function of government. Throughout the book he uses recent developments in law and economics and the theory of collective choice to find in the eminent domain clause a theory of political obligation that he claims is superior to any of its modern rivals.

The proper construction of the compensation clause of the Constitution has emerged as the central legal issue of the environmental revolution, as property owners have challenged a steady stream of environmental statutes that have cut deeply into traditional notions of property rights. When may they justly demand that the state compensate them for the sacrifices they are called upon to make for the common good? Ackerman argues that there is more at stake in the present wave of litigation than even the future shape of environmental law in the United States. To frame an adequate response, lawyers must come to terms with an analytic conflict that implicates the nature of modern legal thought itself. Ackerman expresses this conflict in terms of two opposed ideal types--Scientific Policymaking and Ordinary Observing--and sketches the very different way in which these competing approaches understand the compensation question. He also tries to demonstrate that the confusion of current compensation doctrine is a product of the legal profession's failure to choose between these two modes of legal analysis. He concludes by exploring the large implications of such a choice--relating the conflict between Scientific Policymaking and Ordinary Observing to fundamental issues in economic analysis, political theory, metaethics, and the philosophy of language.

Through their inimitable mixture of eroticism, subdued elegance and decadent luxury, Newton's pictures reflect in the highest aesthetic quality an obsession with human vanity - from female exhibitionism to male voyeurism. With technical perfection, an extremely detailed style and a relentless directness, Newton staged the neverending psychodrama that contrasts glamour with the need for admiration, self-confidence with the desire for self-presentation, and Eros with Thanatos. Private Property was originally a three-part portfolio containing 45 b&w photographs. It includes Newton's best work from the period 1972-1983 - an exquisite assortment of fashion shots, portraits and erotic motifs which are all based on real location and luxurious lifestyles. The entire sequence of pictures from the Private Property portfolio is included in our book which first appeared in 1989.

Federalists vision of the Constitution; an interdisciplinary investigation.