Prima Latina is a preparatory Latin course for young students who are still becoming familiar with English grammar. It is intended for teachers with no background in Latin and was developed for children in kindergarten thru third grade.

Alla Prima is a comprehensive guide to direct painting, characterised by bold, expressive brushwork and a painterly, atmospheric surface. It covers the history of the direct methods in both Europe and America. From there, it includes detailed step-by-step lessons and discussions on drawing structure, broken and smooth brushwork, and colour development.

"This is the first paperback edition of the only biography of Louis Prima, one of the most underrated jazz musicians and entertainers of the twentieth century. In a career that spanned four decades, Prima infused the grit and grace of Dixieland jazz with swing and big band sounds, the first whiffs of rock 'n' roll, and a vaudevillian-like stage presence. A native of New Orleans, the Guy Lombardo protg known as ""The Italian Satchmo"" was the country's smashing new jazz sensation at New York's Famous Door in the 1930s. He went on to be a successful big band leader and a Vegas nightclub staple, and he virtually created the concept of the lounge act. Despite his longstanding success, Prima's over-the-top on-stage antics induced critics to not take him seriously and he was relegated to the status of mere ""entertainer.""Married five times and involved with numerous women in between, Prima has more often been remembered for his colorful relationships and quirky personality than for his abilities as a trumpeter and singer. After his death in 1978, his music gradually disappeared and jazz scholars rarely mentioned his name.Nudging Prima's legacy into the limelight the musician deserved, Garry Boulard nimbly explores Prima's ability to maintain a lifelong career, his knack for self-promotion, and how the cities in which he lived and performed--New York, Los Angeles, and Las Vegas--uniquely and indelibly informed his style. In a new preface, the author considers how the resurgence of big band and swing music in the late 1990s catapulted Prima and his music back into the public eye."

Interviews with fifty-six great operatic divas of the twentieth century illuminate their lives, their art, and the world of modern opera.

Growing up on the Osage Indian reservation, Maria Tallchief was a gifted pianist and dancer. According to Osage tradition, women are not permitted to dance, but Maria's parents recognized her gifts and allowed her to break the rule. Then when Maria reached the age of twelve, her father told her it was time to choose between her two loves. Maria chose ballet. It was a decision that would change not only the course of her life, but the face of classical ballet in America. The fascinating story of Maria Tallchief's rise to become America's prima ballerina will captivate young readers.

'Liturgical Theology' is often a convenient label for any theology that has loosely to do with worship or Eucharist. In this innovative book, David Fagerberg distinguishes liturgical theology from a general theology of worship. He proposes two defining attributes of liturgical theology: (1) 'ex orandi': It is manifested in the Church's historical rites.(2) 'theologia prima': It is theology done by the liturgical community. In straightforward, clear, concise language, he dilates our definition of liturgy:Liturgy is the trysting place of truth, beauty, and goodness. Christ is the premiere liturgist, and baptism summons apprentices to his labor. Liturgy is our place of steadfast encounter with God. By this understanding, liturgical theology can be adequately defined:Liturgy is the faith of the Church in motion, and as such is the basis of the Church's 'lex credendi'. To see liturgical theology (to witness lex orandi), one must go to the deep structures of the rite. Liturgical asceticism gives us the capacity to participate in the liturgical response. The subject matter of this book is how the liturgical assembly makes theological adjustment to its encounter with God. Liturgical theology is therefore the basis for all theology, whether done by a believer in the pew, a monk in the cell, or an academic in the study. 'Theologia Prima: What Is Liturgical Theology?' is a thorough revision of Dr. Fagerberg's groundbreaking 'What Is Liturgical Theology?' (The Liturgical Press, 1992). It has been reorganized for easier reference and contains new examples as well as more anecdotal material derived from Dr. Fagerberg's extensive experience as a teacher and theologian.