Includes discussion questions and an excerpt from "The good girl."

“Absolutely not to be missed.” —Vogue “A muscular, canny memoir about labor and power and gender…I couldn’t put it down. What a fucking gorgeous book.” —Carmen Maria Machado, author of In the Dream House A queer teen rebel escapes small-town Appalachia and becomes Los Angeles’s Renowned Lesbian Dominatrix in this searing and darkly funny memoir that upends our ideas about desire, class, and power. The dominatrix is the id of American femininity. She says the words that we all wish we could say when we find ourselves frozen in the presence of men. No is principal among them. So writes Chris Belcher, who appeared destined for a life of conventional femininity after she took first place in an infant beauty contest—a minor glory that followed her around a working-class town of 1,600 people in rural West Virginia. But when she came out as queer, the conservative community that had once celebrated its prettiest baby turned on her. A decade later, living in Los Angeles and trying to stay afloat in the early years of a PhD program, Belcher plunges into the work of a pro domme. Branding herself as Los Angeles’s Renowned Lesbian Dominatrix, she specializes in male clients who want a domme to make them feel worthless, shameful, and weak—all the abuse regularly heaped upon women for free. A queer woman whom men can trust with the unorthodox sides of their sexualities, Belcher is paid to be the keeper of the fantasies that they can’t enact in their everyday relationships. But moonlighting as a sex worker also carries risks, like the not-so-submissive who tries to turn the tables and the jealous client out for revenge. As Belcher moves between the embodied world of the pro domme and the abstract realm of academia, she discovers how lessons from the classroom apply to the dungeon, and vice versa. Still, fear that her doctoral program won’t approve burdens her with a double life. Pretty Baby is her second coming out. In this sharp and discerning memoir, we see through Belcher’s eyes how power and desire can be renegotiated—or reinforced.

Interviews with prominent filmmakers, actors, and others on the art, craft, and business of moviemaking.

This book discusses WWI-era music in a historical context, explaining music's importance at home and abroad during WWI as well as examining what music was being sung, played, and danced to during the years prior to America's involvement in the Great War. Why was music so important to soldiers abroad during World War I? What role did music—ranging from classical to theater music, rags, and early jazz—play on the American homefront? Music of the First World War explores the tremendous importance of music during the years of the Great War—when communication technologies were extremely limited and music often took the place of connecting directly with loved ones or reminiscing via recorded images. The book's chapters cover music's contribution to the war effort; the variety of war-related songs, popular hits, and top recording artists of the war years; the music of Broadway shows and other theater productions; and important composers and lyricists. The author also explores the development of the fledgling recording industry at this time.