Alongside the major postcolonial writers, the book provides analytical study of newer writers who have to date received little critical attention, eg. Linton Kwesi Johnson, Bernardine Evaristo, Fred D'Aguiar Postcolonial studies and contemporary fiction are among the most popular courses at undergraduate level Published to coincide with our major postcolonial studies promotions in 2004, including a full colour postcolonial mini-catalogue mailed to academics worldwide, and inserts at conferences in Canterbury (UK), Frankfurt (Germany) and Hyderabad (India) The book's relevance expands beyond London; the 'city' is a trendy topic in literary and cultural studies and this book uses theories of the metropolis to explore ideas of empire and the nation. uses theories of the metropolis to explore ideas of empire and the nation.

This superb study explores the imaginative transformation of the city by African, Asian, Caribbean and South Pacific writers since the 1950s.

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1, University of Marburg (Institut für Anglistik und Amerikanistik), course: Postmodern and/or Postcolonial: Contemporary Writing from Britain and the Commonwealth, language: English, abstract: Zadie Smith's novel "White Teeth" deals with families and generations from diverse ethnic backgrounds; and in the four main chapters Archie 1974, 1945, Samad 1984, 1857, Irie 1990, 1907, and Magid, Millat and Marcus 1992, 1999, she approaches them from several angles. As a result, there has been a discussion on who is to be treated as the central character in this novel. One possible answer to this is offered by Nina Shen Rastogi: The main character in White Teeth isn't a character in any traditional sense - it's the city of London itself. Smith's goal is less to paint a portrait of any particular character than it is to create a large-scale character sketch of a particular place and a particular time. White Teeth is about the foibles of a community of near-strangers and almost-friends as it collectively stumbles towards an uncertain future. The paper will investigate this approach by dealing with London as it is depicted in this postcolonial novel. After a working definition on the diversely discussed notion of postcolonialism (I.1), there will be a closer look on London, both as a physical location (I.2.a) and a literary region (I.2.b). The main issues will be the history of immigration, facts about multiculturalism today, and a brief look on how the colonial legacy has been depicted in postcolonial literature in London. A conclusion (I.3) will summarize the results and present some main questions for the analysis of White Teeth (II). Here, the paper will take a look on the role of the characters interacting with each other and on how they compromise between their cultural legacy and London's society (II.1). This will be the major part of the analysis. In two sho

This superb study explores the imaginative transformation of the city by African, Asian, Caribbean and South Pacific writers since the 1950s.

This book considers twentieth and twenty-first century literary and cultural formations of the postcolonial city and the constitution of new subjects within it. Varma offers a reading of both historical and contemporary debates on urbanism through the filter of postcolonial fictions and the cultural fields surrounding and containing them. In particular, she presents a representational history of London, Nairobi and Bombay in the twentieth and twenty-first centuries and engages three key theoretical frameworks—the city within postcolonial theory and culture (its troubled salience in the construction of postcolonial public spheres and identities, from local, rural, ethnic/"tribal", and regional to "national", cosmopolitan and transnational subjects and spaces); postcolonial fictions as constituting a new world literary space and as a site of the articulation of contending narratives of urban space, global culture and postcolonial development; and postcolonial feminist citizenship as a universal political project challenging current neo-liberal and post neo-liberal contractions and eviscerations of public spaces and rights.

Imagining London examines representations of the English metropolis in Canadian, West Indian, South Asian, and second-generation 'black British' novels written in the last half of the twentieth century.

Having built much of their wealth, power, and identities on imperial expansion, how did the Portuguese and, by extension, Europeans deal with the end of empire? Postcolonial People explores the processes and consequences of decolonization through the histories of over half a million Portuguese settlers who 'returned' following the 1974 Carnation Revolution from Angola, Mozambique, and other parts of Portugal's crumbling empire to their country of origin and citizenship, itself undergoing significant upheaval. Looking comprehensively at the returnees' history and memory for the first time, this book contributes to debates about colonial racism and its afterlives. It studies migration, 'refugeeness,' and integration to expose an apparent paradox: The end of empire and the return migrations it triggered belong to a global history of the twentieth century and are shaped by transnational dynamics. However, they have done nothing to dethrone the primacy of the nation-state. If anything, they have reinforced it.