A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed Absurdistan. Situated in the eye of the storms that shaped the modern world, Prague holds up an unsettling mirror to the absurdities and dangers of our own times. In a brilliant narrative, Sayer weaves a vivid montage of the lives of individual Praguers—poets and politicians, architects and athletes, journalists and filmmakers, artists, musicians, and comedians—caught up in the crosscurrents of the turbulent half century following the Nazi invasion. This is the territory of the ideologist, the collaborator, the informer, the apparatchik, the dissident, the outsider, the torturer, and the refugee—not to mention the innocent bystander who is always looking the other way and Václav Havel’s greengrocer whose knowing complicity allows the show to go on. Over and over, Prague exposes modernity’s dreamworlds of progress as confections of kitsch. In a time when democracy is once again under global assault, Postcards from Absurdistan is an unforgettable portrait of a city that illuminates the predicaments of the modern world.

A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed Absurdistan. Situated in the eye of the storms that shaped the modern world, Prague holds up an unsettling mirror to the absurdities and dangers of our own times. In a brilliant narrative, Sayer weaves a vivid montage of the lives of individual Praguers—poets and politicians, architects and athletes, journalists and filmmakers, artists, musicians, and comedians—caught up in the crosscurrents of the turbulent half century following the Nazi invasion. This is the territory of the ideologist, the collaborator, the informer, the apparatchik, the dissident, the outsider, the torturer, and the refugee—not to mention the innocent bystander who is always looking the other way and Václav Havel’s greengrocer whose knowing complicity allows the show to go on. Over and over, Prague exposes modernity’s dreamworlds of progress as confections of kitsch. In a time when democracy is once again under global assault, Postcards from Absurdistan is an unforgettable portrait of a city that illuminates the predicaments of the modern world.

Asserts that Prague could well be seen as the capital of the twentieth century, describing how the city has experienced and suffered more ways of being modern than perhaps any other metropolis.

Readers can vicariously live for a year in Eastern Europe through the eyes of an American professor working in Absurdistan. With a rare blend of humor and insight, Professor Wright shares a year of teaching at universities in Absurdistan, the name given to former Czechoslovakia by its citizens. His job was to help universities overcome the last seventy years of communist propaganda. This true story is a tongue-in-cheek look at the people, history, and geography of Eastern Europe. Become acquainted with Dr. Wright's castle, village, university, and neighbors. Learn the true meaning of Eastern European Time, and the correct way to mime kitty litter. See if you can survive the alternately hilarious and tragic daily life. In turn funny and sad, Dr. Wright combines mordant insights into the human condition with truly touching stories of local citizens. His incisive wit takes on politics, religion, language, and history, with equal opportunity barbs. He lives in an ancient stone cottage just outside the ruins of a castle destroyed by Napoleon, in a genuine quaint little village with no telephone. He rides the same trolleys as the local people. He eats the same food, and shops in the same bazaars. Astoundingly, he survives a year without TV, the internet, or even a golf course. Twenty-four photos add a rare glimpse into the lives, people, and countries of Eastern Europe. The captions alone are worth the price of the book.

BrownTrout postcard books are first and foremost beautiful little books. There are over 120 subjects ranging from the sublime (Desert Light) to the slightly ridiculous (Outhouses). Each card is a token which reflects two directions: upon the addressee who receives a beautiful card with the sender's personal message; and on the sender who chose the card for the recipient. Whether you actually send them to friends and relations or simply save the books to enjoy yourself, BrownTrout's books of postcards are great products.

For thirty years Margaret and Leonardo have sat each day at adjoining desks, writing postcards to famous people, without ever getting any answers. Having run out of live personages to write to they decide to address their cards to the famous dead -- but, suddenly, much to their consternation, a reply does arrive. Its effect is shattering, and brings on a poignant revelation of the unspoken feelings which have, through all the years, lay dormant beneath the calm surface of their very correct relationship.

A cultural history of the Czech people, examining the significance of the small central European nation's artistic, literary, and political developments from its origins through approximately 1960.