In a world where Thinkers control the population and Rules are not meant to be broken, 15-year-old Violet Schoenfeld must make a choice to control or be controlled after learning truths about her "dead" sister and "missing" father.

Possession is a chilling psychological thriller written with Katie Lowe’s signature “subtle, persistent, and unmistakable creepiness” (Kirkus, on The Furies). The past haunts her. The present hunts her. Conviction @ConvictionPod · 1m The investigating officer: “I’ve seen a lot of homicides in the years since, but...that’s the one that keeps me up at night.” The husband’s best man: “They had everybody fooled. Or at least, she did. But I always knew something was off.” Hannah, the wife: “I told you. I don’t remember anything. I don’t know.” That’s all to come, this season, on Conviction. Get ready for our most twisted season yet. ~~~ Ten years ago, Hannah’s husband was brutally murdered in their home, and she (conveniently) doesn’t remember a thing about that night. But the police charged someone else—a stranger—and put him away for life. And Hannah packed up her six-year-old daughter and left London behind. But now her hard-won countryside peace is threatened. Conviction, a viral true crime podcast known for getting cases reopened and old verdicts overturned, has turned its attention to Hannah’s husband’s murder for its new season. They say police framed the man who was found guilty, and that Hannah has more suspicious secrets than just her memory loss: a history of volatility; citations at the clinic where she worked as a psychiatrist; dependencies on alcohol and pills; and a familicidal grandmother, locked away in a Gothic insane asylum until her death. As Hannah loses the trust of everyone she loves, the only person she feels she can confide in is a former colleague, Darcy, who’s come back into her life—but who may have motives of her own. But Hannah can’t tell even Darcy her deepest secret: that she’s still tormented by the memory of her husband and the crater he carved through her life.

A photobook by Garrett Grove photographed between the years of 2015 and 2017 in the American West.

The gripping, chilling thriller that will keep you up late into the night . . . Perfect for readers of Stephen King and Michael Crichton. ____________________________ Nolan Moore and his team of explorers arrive in the remote town of Birchlake, California to investigate its mysterious stone walls, built by an unknown hand. Their arrival is met with suspicion by the townspeople. And when Nolan learns that a teenage girl has recently disappeared without a trace, it becomes clear there is a link between the missing girl and the secret of the stone walls. But as Nolan and his team are drawn into the search, a thick fog descends on the town. Soon events take a dark turn, and the line between reality and imagination begins to blur, leaving Nolan and his team questioning their own sanity - and fighting for their lives. The Possession is a brilliantly unsettling, chilling thriller about a small town with a terrifying secret - with all of the horror of Stephen King and the vision of Michael Crichton. Praise for Michael Rutger's books: 'Gripping, exciting, page-turning fun' John Connolly 'Crackles with claustrophobic tension' Sarah Pinborough, author of BEHIND HER EYES 'Brilliant. Thrilling, tense, dark' C. J. Tudor, author of THE CHALK MAN

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.

This is the first comprehensive treatment of the strategies employed in the world's languages to express predicative possession, as in "the boy has a bat". It presents the results of the author's fifteen-year research project on the subject. Predicative possession is the source of many grammaticalization paths - as in the English perfect tense formed from to have - and its typology is an important key to understanding the structural variety of the world's languages and how they change. Drawing on data from some 400 languages representing all the world's language families, most of which lack a close equivalent to the verb to have, Professor Stassen aims (a) to establish a typology of four basic types of predicative possession, (b) to discover and describe the processes by which standard constructions can be modified, and (c) to explore links between the typology of predicative possession and other typologies in order to reveal patterns of interdependence. He shows, for example, that the parameter of simultaneous sequencing - the way a language formally encodes a sequence like "John sang and Mary danced" - correlates with the way it encodes predicative possession. By means of this and other links the author sets up a single universal model in order to account for all morphosyntactic variation in predicative possession found in the languages of the world, including patterns of variation over time. Predicative Possession will interest scholars and advanced students of language typology, diachronic linguistics, morphology and syntax.

"A gripping, chilling read that’s part love story, part mystery, and completely original, it’s sensuous, scary, and utterly thrilling." —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls In this electrifying literary debut, a young woman who channels the dead for a living crosses a dangerous line when she falls in love with one of her clients, whose wife died under mysterious circumstances. In an unnamed city, Eurydice works for the Elysian Society, a private service that allows grieving clients to reconnect with lost loved ones. She and her fellow workers, known as "bodies", wear the discarded belongings of the dead and swallow pills called lotuses to summon their spirits—numbing their own minds and losing themselves in the process. Edie has been a body at the Elysian Society for five years, an unusual record. Her success is the result of careful detachment: she seeks refuge in the lotuses’ anesthetic effects and distances herself from making personal connections with her clients. But when Edie channels Sylvia, the dead wife of recent widower Patrick Braddock, she becomes obsessed with the glamorous couple. Despite the murky circumstances surrounding Sylvia’s drowning, Edie breaks her own rules and pursues Patrick, moving deeper into his life and summoning Sylvia outside the Elysian Society’s walls. After years of hiding beneath the lotuses’ dulling effect, Edie discovers that the lines between her own desires and those of Sylvia have begun to blur, and takes increasing risks to keep Patrick within her grasp. Suddenly, she finds her quiet life unraveling as she grapples not only with Sylvia’s growing influence and the questions surrounding her death, but with her own long-buried secrets. A tale of desire and obsession, deceit and dark secrets that defies easy categorization, The Possessions is a seductive, absorbing page-turner that builds to a shattering, unforgettable conclusion.