John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

In his Gospel, John presented Jesus as the Son of God by painting portraits, pictures, of him. The author of this volume displays twenty-nine of these portraits for us to look at and even study. The reader who observes these portraits carefully will come to know the Lord Jesus Christ in new and deeper ways. After each portrait is examined, there are applications for daily living and simple study questions drawn from the portrait. This book is all about Jesus the Living Word set forth in the Written Word and is intended for individual and group use.

To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions. Contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.

Updated Edition of a Bestselling Study of Jesus and the Gospels In this work Darrell Bock, a leading evangelical New Testament scholar who speaks and teaches around the world, and Benjamin Simpson show that a coherent portrait of Jesus emerges from the four Gospels when they are taken seriously as historical documents. When read together, the Gospels provide a clear picture of Jesus and his unique claims to authority. This book surveys all the Gospel units and relates them to their parallel passages, showing how the literary and canonical relationships work. Offering up-to-date interaction with the latest discussions about Jesus, the second edition has been substantially revised and updated throughout and includes three new chapters on how we got the Gospels.