Presents an analysis of the economic, political, social, and cultural reasons for polygyny in rural Egypt

Passed into law over a decade before the Revolution, the Family Protection Law quickly drew the ire of the conservative clergy and the Ayatollah Khomeini in 1979. In fact, it was one of the first laws to be rescinded following the revolution. The law was hardly a surprising target, however, since women's status in Iran was then - and continues now to be - a central concern of Iranian political leaders, media commentators, and international observers alike. Taking up the issue of women's status in a modern context, Marianne Boe offers a nuanced view of how women's rights activists assert their rights within an Islamic context by weaving together religious and historical texts and narratives. Through Her substantial fieldwork and novel analysis, Boe undermines both the traditional view of 'Islamic Feminism' as monolithic and clears a path to a new understanding of the role of women's rights activists in shaping and synthesizing debates on the shari'a, women's rights and family law. As such, this book is essential for anyone studying family law and the role of women in contemporary Iran.

This study seeks to provide a critical analysis of child protection policies in Egypt and examine whether these policies are based on the rights-based model of child protection that is embodied in the Convention for Child Rights (CRC). It identifies the ways in which these policies fail to link child rights and child protection and thus are unable to provide integrated and accessible services that meet children's needs. Cairo Papers in Social Science 30:1

Political and Social Protest in Egypt

Egypt is a country of its people. What has been the effect on its inhabitants of the 2011 revolution and subsequent developments? In 2013, a conference held under the auspices of Cairo Papers in Social Science examined this issue from the points of view of anthropologists, historians, political scientists, psychologists, and urban planners. The papers collected here reveal the strategies that various actors employed in this situation. Contributors: Ellis Goldberg, David Sims, Yasmine Ahmed, Deena Abdelmonem, Dina Makram-Ebeid, Clement Henry, Sandrine Gamblin, Hans Christian Korsholm Nielsen, Zeinab Abul-Magd

In 1957 the public sector in Egyptian cinema was established, followed shortly by the emergence of public-sector film production in 1960, only to end eleven years later, in 1971. Assailed with negativity since its demise, if not earlier, this state adventure in film production was dismissed as a complete failure, financially, administratively and, most importantly, artistically. Although some scholars have sporadically commented on the role played by this sector, it has not been the object of serious academic research aimed at providing a balanced, nuanced general assessment of its overall impact. This issue of Cairo Papers hopes to address this gap in the literature on Egyptian cinema. After discussion of the role played by the public sector in trying to alleviate the financial crisis that threatened the film industry, this study investigates whether there was a real change in the general perception of the cinema, and the government’s attitude toward it, following the June 1967 Arab–Israeli war.

This ethnographic study of the Egyptian underground hip-hop scene examines the artists who collectively molded the scene and analyzes their practices and explores how these artists have interacted with and responded to political and social upheaval and change. It reveals how rappers approached and reformulated the genre in times of revolution and stasis to reveal how rap acts as a multi-layered form of expression. More specifically, it examines the location of the art form within the broader history of oppositional cultural expression in Egypt, outlining the artists' oppositions to various hegemonic structures and critically deconstructing them to reveal that they often reflect dominant ideology.