Responding to Heidegger’s stark warnings concerning the essence of technology, this book demonstrates art’s capacity to emancipate the life-world from globalized technological enframing. Louise Carrie Wales presents the work of five contemporary artists – Martha Rosler, Christian Boltanski, Krzysztof Wodiczko, and collaborators Noorafshan Mirza and Brad Butler – who challenge our thinking and compel a dramatic re-positioning of social norms and hidden beliefs. The through-line is rooted in Heidegger’s question posed at the conclusion of his technology essay as understood through artworks that provides a counter to enframing while using increasingly sophisticated technological methods. The themes are political in nature and continue to have profound resonance in today’s geopolitical climate. The book will be of interest to scholars working in art history, aesthetics, philosophy, and visual culture.

Responding to Heidegger’s stark warnings concerning the essence of technology, this book demonstrates art’s capacity to emancipate the life-world from globalized technological enframing. Louise Carrie Wales presents the work of five contemporary artists – Martha Rosler, Christian Boltanski, Krzysztof Wodiczko, and collaborators Noorafshan Mirza and Brad Butler – who challenge our thinking and compel a dramatic re-positioning of social norms and hidden beliefs. The through-line is rooted in Heidegger’s question posed at the conclusion of his technology essay as understood through artworks that provides a counter to enframing while using increasingly sophisticated technological methods. The themes are political in nature and continue to have profound resonance in today’s geopolitical climate. The book will be of interest to scholars working in art history, aesthetics, philosophy, and visual culture.

Martin Heidegger's ties to Nazism have tarnished his stature as one of the towering figures of twentieth-century philosophy. The publication of the Black Notebooks in 2014, which revealed the full extent of Heidegger's anti-Semitism and enduring sympathy for National Socialism, only inflamed the controversy. Richard Wolin's The Politics of Being: The Political Thought of Martin Heidegger has played a seminal role in the international debate over the consequences of Heidegger's Nazism. In this edition, the author provides a new preface addressing the effect of the Black Notebooks on our understanding of the relationship between politics and philosophy in Heidegger's work. Building on his pathbreaking interpretation of the philosopher's political thought, Wolin demonstrates that philosophy and politics cannot be disentangled in Heidegger's oeuvre. Völkisch ideological themes suffuse even his most sublime philosophical treatises. Therefore, despite Heidegger's profundity as a thinker, his critique of civilization is saturated with disturbing anti-democratic and anti-Semitic leitmotifs and claims.

Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.

"... a real philosophical page-turner, a book that is difficult to put down, even given the complexity of its issues." -- Jeffrey Powell "This is a fine addition to existing books on Heidegger's thought.... The author has both a command of Heidegger and of how best to elucidate him to a contemporary audience." -- David Wood In Thinking with Heidegger, Miguel de Beistegui looks into the essence of Heidegger's thought and engages the philosopher's transformative thinking with contemporary Western culture. Rather than isolate and explore a single theme or aspect of Heidegger, de Beistegui chooses multiple points of entry that unfold from the same question or idea. De Beistegui examines Heidegger's translations of Greek philosophy and his interpretations and displacements of anthropology, ethics and politics, science, and aesthetics. Thinking with Heidegger proposes fresh answers to some of philosophy's most fundamental questions and extends Heideggerian discourse into philosophical regions not treated by Heidegger himself.

Political Economy, Race, and the Image of Nature in the United States, 1825–1878 is an interdisciplinary work analyzing the historical origins of a dominant concept of Nature in the culture of the United States during the period of its expansion across the continent. Chapters analyze the ways in which “Nature” became a discursive site where theories of race and belonging, adaptation and environment, and the uses of literary and pictorial representation were being renegotiated, forming the basis for an ideal of the human and the nonhuman world that is still with us. Through an interdisciplinary approach involving the fields of visual culture, political economy, histories of racial identity, and ecocritical studies, the book examines the work of seminal figures in a variety of literary and artistic disciplines and puts the visual culture of the United States at the center of intellectual trends that have enormous implications for contemporary cultural practice. The book will be of interest to scholars working in art history, visual culture, American studies, environmental studies/ecocriticism, critical race theory, and semiotics.

Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger’s philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger’s work in order to foster compelling new accounts of works of art and their historicity.