Despite an abundance of violence occurring in political contexts, no liberal political theorist since Thomas Hobbes has talked directly and coherently about death. John E. Seery does. He contends that liberalism desperately needs a theoretical framework in which to discuss pressing matters of human mortality. Among the contemporary political issues that cry out for theoretical articulation, Seery suggests, are abortion politics, ethnic cleansing, suicide assistance, national reparations, environmental degradation, and capital punishment. Seery offers a new conception of social contract theory as a framework for confronting death issues. He urges us to look to an older tradition of descent into an underworld, wherein classic theorists consulted poetically with the dead and acquired from them political insight and direction.In this lively book, Seery excavates the infernal tradition by rereading the politics of death in Platonism, early Christianity, and contemporary feminism. Building on those traditions, he proposes a new, constructive image of death that can serve democratic theory productively. Reconsidered from the "land of the shades," social contractarian theory is sufficiently altered that, for example, a pro-life Christian and a pro-choice secularist might be able to strike common ground upon which to discuss abortion politics.

Containing state-of-the-art reviews of political theories, past and present, this edited collection offers a complete guide to all the main areas and fields of political and philosophical enquiry.

A rallying cry on behalf of a distinctly American institution of higher learning—the small liberal arts college—America Goes to College combines broad-based scholarship with personal narrative and reflection. In a highly entertaining manner, John E. Seery showcases the precarious successes of a well-rounded liberal arts college education, while at the same time signaling some of the dangers that loom on the horizon. Seery contends that the liberal arts are best pursued within the face-to-face interactive setting, characteristic of the small college classroom, as opposed to the large university lecture hall. Moreover and more provocatively, he identifies political theorists as the proper custodians and practitioners of the liberal arts tradition as it unfolds today. It is the unfettered freedom of the small liberal arts college, where vision and practice can actually coincide, that makes it the embodiment of the advantages of the American higher education system—a national treasure deserving of support.

This gracefully written, intellectually rigorous book explores the major issues of political theory by presenting the perspectives of major theorists. It gives students necessary historical background while examining basic themes and assessing the validity of basic arguments. Written in a clear, direct style, it can be easily understood by students with little previous exposure to political science. Rather than simply presenting an abstract or formal discussion of the major issues of political theory, it examines how the issues were understood by specific political thinkers including Plato, Machiavelli, Locke, Hobbes, Marx, Dahl, Popper, Nozick. T.H. Green, and others. This is a useful thematic introduction to political theory that places theory in an interesting historical and intellectual context.

This path-breaking and eloquent analysis of The Odyssey, and the way it has been interpreted by political philosophers throughout the centuries, has dramatic implications for the current state of political thought. This important book offers readers original insights into The Odyssey and it provides a new understanding of the classic works of Plato, Rousseau, Vico, Horkheimer, and Adorno. Through his analysis Patrick J. Deneen requires readers to rethink the issues that are truly at the heart of our contemporary 'Culture Wars,' and he encourages us to reassess our assumptions about the Western canon's virtues or viciousness. Deneen's penetrating exploration of Odysseus's and our own enduring battles between the dual temptations of homecoming and exploration, patriotism and cosmopolitanism, and relativism and universality provides an original perspective on contentious debates at the center of modern political theory and philosophy.

The greatly anticipated new novel by Norman Rush—whose first novel, Mating, won the National Book Award and was everywhere acclaimed—is his richest work yet. It is at once a political adventure, a social comedy, and a passionate triangle. It is set in the 1990s in Botswana—the African country Rush has indelibly made his own fictional territory. Mortals chronicles the misadventures of three ex-pat Americans: Ray Finch, a contract CIA agent, operating undercover as an English instructor in a private school, who is setting out on perhaps his most difficult assignment; his beautiful but slightly foolish and disaffected wife, Iris, with whom he is obsessively in love; and Davis Morel, an iconoclastic black holistic physician, who is on a personal mission to “lift the yoke of Christian belief from Africa.” The passions of these three entangle them with a local populist leader, Samuel Kerekang, whose purposes are grotesquely misconstrued by the CIA, fixated as the agency is on the astonishing collapse of world socialism and the simultaneous, paradoxical triumph of radical black nationalism in South Africa, Botswana’s neighbor. And when a small but violent insurrection erupts in the wild northern part of the country, inspired by Kerekang but stoked by the erotic and political intrigues of the American trio—the outcome is explosive and often explosively funny. Along the way, there are many pleasures. Letters from Ray’s brilliantly hostile brother and Iris’s woebegone sister provide a running commentary on contemporary life in America. Africa and Africans are powerfully evoked, and the expatriate scene is cheerfully skewered. Through lives lived ardently in an unforgiving land, Mortals examines with wit and insight the dilemmas of power, religion, rebellion, and contending versions of liberation and love. It is a study of a marriage over time, and a man’s struggle to find his way when his private and public worlds are shifting. It is Norman Rush’s most commanding work.