In the period between 1575 and 1625, civic peace in England, Scotland, and Ireland was persistently threatened by various kinds of religiously inspired violence, involving conspiracies, rebellions, and foreign invasions. Religious divisions divided local communities in all three kingdoms, but they also impacted relations between the nations, and in the broader European continent. The challenges posed by actual or potential religious violence gave rise to complex responses, including efforts to impose religious uniformity through preaching campaigns and regulation of national churches; an expanded use of the press as a medium of religious and political propaganda; improved government surveillance; the selective incarceration of English, Scottish, and Irish Catholics; and a variety of diplomatic and military initiatives, undertaken not only by royal governments but also by private individuals. The result was the development of more robust and resilient, although still vulnerable, states in all three kingdoms and, after the dynastic union of Britain in 1603, an effort to create a single state incorporating all of them. R. Malcolm Smuts traces the story of how this happened by moving beyond frameworks of national and institutional history, to understand the ebb and flow of events and processes of religious and political change across frontiers. The study pays close attention to interactions between the political, cultural, intellectual, ecclesiastical, military, and diplomatic dimensions of its subject. A final chapter explores how and why provisional solutions to the problem of violent, religiously inflected conflict collapsed in the reign of Charles I.

In the period 1575-1625, civic peace in England, Scotland, and Ireland was persistently threatened by various kinds of religiously inspired violence, involving conspiracies, rebellions, and foreign invasions. This study seeks to understand how this was addressed in local communities, between the three nations, and more broadly, across Europe.

By drawing upon recent scholarship, original manuscript materials, and previously unpublished sources, this new biography presents an analytical narrative of King James VI & I’s life from his birth in 1566 to his accession to the throne of England and Ireland in 1603. The only son of Mary Stuart and heir (apparent but not uncontested) to Elizabeth I, James VI of Scotland was, from the moment of his birth, a focal point of countervailing hopes and fears for the confessional and dynastic future of the kingdoms of the British Isles. This study examines material from across the UK and beyond, as well as the newly deciphered letters of Mary, Queen of Scots, to reveal James as a highly capable, resourceful, deeply provocative and ruthless political actor. Analysis of James’s own writings is integrated within the narrative, providing fresh insights into the king’s inventive tactical engagement in the politics of publicity. Through a chronological approach, the events of his life are linked to wider issues associated with the early modern court, government, religion, and political and ideological conflict. James VI, Britannic Prince is of interest to all scholars of Scottish and British history in the late sixteenth and early seventeenth centuries.

This book introduces the reader to the history of European Christian pilgrimage in the twelve hundred years between the conversion of the Emperor Constantine and the beginnings of the Protestant Reformation. It sheds light on the varied reasons for which men and women of all classes undertook journeys, which might be long (to Rome, Jerusalem and Compostela) or short (to innumerable local shrines). It also considers the geography of pilgrimage and its cultural legacy.

This book reflects the range and nature of Scottish dress from shirts, mantles, plaids and the Scottish bonnet to trews, the kilt, the tartan and Scottish tweed. Final chapters look at the medieval highland warriors, military uniform and the arms without which the dress itself was often incomplete.

The first book devoted to Irish performance art and the first attempt at a history of this art form in the north and south of Ireland, this book brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with--and in turn influenced and led by--contemporary performance and live art internationally. Copublished with the Live Art Development Agency.