Should cell phones be allowed in classrooms? Are students given too much homework? Do kids need recess? These questions can all be answered in different ways depending on a person's point of view. As readers explore challenging questions about hot-button issues, from voting to animal rights, they learn the importance of developing an informed opinion and respecting the opinions of others. Each balanced, unbiased text is supplemented with helpful fact boxes, detailed graphic organizers, and colorful photographs. These elements come together to create an engaging reading experience that builds crucial critical thinking skills. Features include: Basic, relevant statistics are provided on each topic to help readers learn to back up their opinions with facts. Opposing points of view are presented in an alternating format to help readers understand how respectful debates work. Objective, age-appropriate tone allows young readers to develop independent thinking skills and encourages them to look at every side of an argument.

You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak or the Lizard Lounge. All might become clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not... So begins our nameless hero's trawl through the brightly lit streets of Manhattan, sampling all this wonderland has to offer yet suspecting that tomorrow's hangover may be caused by more than simple excess. Bright Lights, Big City is an acclaimed classic which marked Jay McInerney as one of the major writers of our time.

An interactive, multimedia text that introduces students to reading and writing at the college level.

A. W. Moore argues in this bold and ambitious book that it is possible to think about the world 'from no point of view'. He examines this idea, explains its significance, and considers reasons for thinking that such a thing is not possible. In particular, drawing on the work of Kant andWittgenstein, he considers transcendental idealism. This leads to the heart of his project: a study of ineffability and nonsense. His fundamental idea is that transcendental idealism is nonsense resulting from the attempt to express certain inexpressible insights. This idea is applied to a widerange of fundamental philosophical issues, including the nature of persons, the subject-matter of mathematics, anti-realism, value, and God; Moores original approach forges unexpected connections between the various questions he addresses. Points of View is a lucid and lively study of the relationbetween reality and our representations of it, the upshot of which is a powerful critique of our own finitude.

In Scotland, a self-appointed executioner dispenses justice to fit the crime. Thus the lenient judge who let a rapist go is punished by being raped, while a man who killed is killed in turn. By the author of The Wasp Factory.

The relationship between language and various kinds of non-linguistic behavior has been of great fascination for many of those working in the fields of cultural anthropology, linguistics, and philosophy, or, broadly understood, cultural studies. The authors in this volume explore this relationship in a number of cultures and social contexts and discuss the problem of linguistic relativism and its application to several areas of social interaction across cultures. The authors deal with such questions as how language and culture intersect resulting in different points of view on reality that are all equally authentic and rooted in experience. The question of the influence of language and culture on our perceptino of physical and social reality is re-examined for such domains as politics, commerce, working with people, religion, and gender relations.

From the winner of the PEN/Malamud Award for Excellence and “one of our most gifted writers” (Chicago Tribune), Saul and Patsy is "stunning, never predictable, glimmering fiction, full of mischief and insight" (The Los Angeles Times). Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul’s initiative (and to his continual dismay) they have moved to this small town–a place so devoid of irony as to be virtually “a museum of earlier American feelings”–where he has taken a job teaching high school. Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy’s lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.