Thanks to its very nature, performance enters into natural dialogue with art, new media, politics, and the social sphere as a whole. Always happening in the here and now, and with a unique freedom and openness to the unknown, performance is a medium with a special ability to question its own subjects, materials, and languages. As a result, it is often best reflected in the dynamic character of contemporary art and contemporaneity in the broadest sense of the word. Points of Convergence explores these ideas and investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners. With twelve essays by leading figures in the field of performance arts, this illustrated volume is structured in two parts. The first, authored by academics in the discipline, features an introduction to key areas of scholastic research. The second part, authored by curators and other researchers, then focuses on an account of individual traditions of performance. Taken together, the contributions identify new possibilities for interaction between the theoretical aspects of performance art and the ways performance plays out within local contexts.

This volume brings together selected papers from the 48th annual Linguistics Symposium on Romance Languages, held at York University in Toronto, Canada, in April 2018. It presents original research on a wide variety of Romance languages both past (Latin, Old Catalan, Old Iberian Romance, Old Spanish, Old Portuguese, and West-Iberian Medieval Latin) and present (Brazilian Portuguese, Catalan, French, Picard, Portuguese, Romanian, and Spanish) along with a number of contemporary dialects, including Basque Country Spanish, Dominican Spanish, Maine French, Neapolitan, and Picardie French. Divided into four sections — Interfaces, Bridging issues at the CP-TP-vP levels, Bridging issues at the PP-DP levels, and Bridging issues in linguistics — the volume gives researchers and advanced students access to contemporary issues and novel ideas bridging across various areas of Romance linguistics (e.g., morphology, syntax, semantics, phonology, sociolinguistics, first and second language acquisition).

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

The aim of this comparatively short textbook is a sufficiently full exposition of the fundamentals of the theory of functions of a complex variable to prepare the student for various applications. Several important applications in physics and engineering are considered in the book. This thorough presentation includes all theorems (with a few exceptions) presented with proofs. No previous exposure to complex numbers is assumed. The textbook can be used in one-semester or two-semester courses. In one respect this book is larger than usual, namely in the number of detailed solutions of typical problems. This, together with various problems, makes the book useful both for self- study and for the instructor as well. A specific point of the book is the inclusion of the Laplace transform. These two topics are closely related. Concepts in complex analysis are needed to formulate and prove basic theorems in Laplace transforms, such as the inverse Laplace transform formula. Methods of complex analysis provide solutions for problems involving Laplace transforms. Complex numbers lend clarity and completion to some areas of classical analysis. These numbers found important applications not only in the mathematical theory, but in the mathematical descriptions of processes in physics and engineering.