Swordplay, magic, intrigue and friendships stronger than iron: the first volume in the new swashbuckling fantasy series set in the universe of THE GREATCOATS. Damelas Chademantaigne picked a poor night to flee a judicial duel. He has precious little hope of escaping the wrath of the Vixen, the most feared duellist in the entire city, until he stumbles through the stage doors of the magnificent Operato Belleza and tricks his way into the company of actors. An archaic law provides a temporary respite from his troubles - until one night a ghostly voice in his head causes Damelas to fumble his lines, inadvertently blurting out a dreadful truth: the city's most legendary hero may actually be a traitor and a brutal murderer. With only the help of his boisterous and lusty friend Bereto, a beautiful assassin whose target may well be Damelas himself, and a company of misfit actors who'd just as soon see him dead, this failed grandson of two Greatcoats must somehow find within himself the courage to dig up long-buried truths before a ruthless band of bravos known as the Iron Orchids come for his head. Oh, and there's still that matter of the Vixen waiting to duel him . . . Readers love Play of Shadows! 'De Castell's masterful writing weaves an impressive tale with a fantastic plot, intriguing characters, and wondrous storybuilding. Another masterpiece' - 5* reader review 'If you are looking for a swashbuckling adventure with a dash of romance and a leaven of humour, then go out and get a copy of this book' - 5* reader review 'Everything that you come to expect from a Greatcoats world book - swashbuckling, emotional rollercoaster, a hero to root for and a great cast of characters some you will love and some you will hate' - 5* reader review

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Young readers will learn how shadows are made with light in this accessible, photo-filled book. Simple text explains different kinds of shadows and teaches students how they can make their own shadows. Vibrant photos bring basic science concepts to life and encourage kids to explore the shadows they see every day.

Playing in the Shadows considers the literature engendered by postwar Japanese authors’ robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenkyū no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zenshū (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors’—Nakagami Kenji and Ōe Kenzaburō are two notable examples—interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are “black” not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these “fictions of race” provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodies—be they bodies of literature, the body politic, or the human body itself.

"Offers the first book-length history of the Texas Negro Leagues and the impact African American Texans had on baseball during the first half of the twentieth century. Previously untold historical narrative contributes to sport history studies while asserting Texas's role in the formation, growth, and decline of African American baseball"--Provided by publisher.

This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.

This collection of narratives by four individuals who abandoned Mormonism--"apostates," as Brigham Young and other Latter-day Saint leaders labeled them--provides an overview of dissent from the beginning of the religion to the early twentieth century and presents a wide range of disaffection with the faith or its leaders. Instead of focusing on a single disheartened individual or sect, this collection includes dissenters with different motivations and a wide range of experiences. Some devout Mormon converts, finding Brigham Young's implementation of the Kingdom of God disillusioning, turned their backs on religion in general. Yet most never lost their love for their fellow Mormons or their longing for the ideal society they had dreamed of building. Newspaper articles, personal letters, journals, and sermons provide context for the testaments collected here--those of George Armstrong Hicks, Charles Derry, Ann Gordge, and Brigham Young Hampton. The four range from those who felt Brigham Young had not lived up to the precepts of Mormonism, to "backouts" who gave up and left Utah, to a plural wife who constructed a rich fantasy world, to a devoted Latter-day Saint who gave his all only to feel betrayed by his leaders. Young warned one dissenting group that they were "not playing with shadows," but with "the voice and the hand of the Almighty"; accordingly, many dissenters feared for their livelihoods, and some, for their lives. Historians will value the range of beliefs, opinions, complaints, hopes, and fears expressed in these carefully annotated life histories. An antidote to anti-Mormon sensationalism, these detailed chronicles of deeply personal journeys add subtlety and a human dimension to our understanding of the Mormon past.

By shining the flashlight tethered to the cover, readers can create spooky shadows to help illustrate the rhyming couplets about things that happen at night, such as mice playing a graveyard, bats at the window, and a hungry shark swimming.