This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.

This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.

The first and only sourcebook for theatre directors and choreographers.

From auditions and rehearsals to publicity, this guide leads even inexperienced directors, producers, choreographers and actors through the complicated and sometimes fearsome task of staking Shakespeare. Comprehensive information is presented in a browsable format including historical background of the Elizabeth period, descriptions of major plays, a glossary of terms, suggestions for modern interpretations, step-by-step instruction for choreographing fight scenes, and a full treatment of Romeo & Juliet

The Actor’s Survival Kit is required reading in Canadian theatre schools and is a constant resource for its many readers across the country. This fifth edition gives actors fresh research from today’s experience, new lists of Canada-wide contacts, and input from success stories. It speaks to a new generation of artists, giving them an up-to-date guide to the business of acting. The book addresses a range of new issues: performer websites, video self-production, and sending rmand networking on the Internet. It also takes a fresh look at old ones: agents, self-promotion, and work opportunities for women and minorities. The authors learn by constantly talking to emerging artists about the problems they face in the business in Canada. Often those conversations begin with, "You wrote the book!" The authors are still receiving thanks from grateful artists who have been guided by this irreplaceable book over the years.

Incorporating a wide array of subjects pertaining to planning, producing, analysing, and theorising theatre, this edition includes valuable strategies for re-creating theatre for students whose first language is not French.

After thirty-five years of writing, producing, and acting in community plays, I have recognized and used the stage as a powerful tool of evangelism. I gathered people of all ages and walks of life from various small churches, large cathedrals, local organizations, one-on-one solicitation, or anyone who answered an advertisement. With the producer, administration, and a director in place, the last requirement was performers who had a positive mind-set, a humble spirit, and some indication of raw talent. Whatever the status of your theatrical background is, whether novice, experienced, or veteran, you will become an evangelist as you share and perform Gospel onstage.