The Republic is Plato's most famous work and one of the seminal texts of Western philosophy and politics. The characters in this Socratic dialogue - including Socrates himself - discuss whether the just or unjust man is happier. They are the philosopher-kings of imagined cities and they also discuss the nature of philosophy and the soul among other things.

The Greek philosopher Plato was born in Athens in 428 B.C. He created dramatic dialogues, probably intended for oral performance, but seldom presented in that format until Agora Publications launched this series of dramatizations in 1994. The Republic explores most of the fundamental questions of philosophy, beginning with a search for how to define justice, moving to a quest for a model of the best possible human community, and concluding with reflections on the immortality of the soul.

Andrea Tschemplik provides a fresh and accessible translation of Plato's classic work, specially designed to aid newcomers in better understanding and appreciating the text. In addition, this volume provides a range of student-friendly supplements to enhance the learning experience.

First published in 2000, this translation of one of the great works of Western political thought is based on the assumption that when Plato chose the dialogue form for his writing, he intended these dialogues to sound like conversations - although conversations of a philosophical sort. In addition to a vivid, dignified and accurate rendition of Plato's text, the student and general reader will find many aids to comprehension in this volume: an introduction that assesses the cultural background to the Republic, its place within political philosophy, and its general argument; succinct notes in the body of the text; an analytical summary of the work's content; a full glossary of proper names; a chronology of important events; and a guide to further reading. The result is an accomplished and accessible edition of this seminal work, suitable for philosophers and classicists as well as historians of political thought at all levels.

This enriched classic edition includes : A concise introduction that gives the reader important background information ; A chronology of the author's life and work ; A timeline of significant events that provides the book's historical context ; An outline of key themes to guide the reader's own interpretations ; Detailed explanatory notes ; Critical analysis and modern perspectives on the work ; Discussion questions to promote lively classroom and book group interaction ; A list of recommended related books and films to broaden the reader's experience.

In this book a distinguished philosopher offers a comprehensive interpretation of Plato's most controversial dialogue. Treating the Republic as a unity and focusing on the dramatic form as the presentation of the argument, Stanley Rosen challenges earlier analyses of the Republic (including the ironic reading of Leo Strauss and his disciples) and argues that the key to understanding the dialogue is to grasp the author's intention in composing it, in particular whether Plato believed that the city constructed in the Republic is possible and desirable. Rosen demonstrates that the fundamental principles underlying the just city are theoretically attractive but that the attempt to enact them in practice leads to conceptual incoherence and political disaster. The Republic, says Rosen, is a vivid illustration of the irreconcilability of philosophy and political practice.

Tracing a central theme of Plato's Republic, G. R. F. Ferrari reconsiders in this study the nature and purpose of the comparison between the structure of society and that of the individual soul. In four chapters, Ferrari examines the personalities and social status of the brothers Glaucon and Adeimantus, Plato's notion of justice, coherence in Plato's description of the decline of states, and the tyrant and the philosopher king—a pair who, in their different ways, break with the terms of the city-soul analogy. In addition to acknowledging familiar themes in the interpretation of the Republic—the sincerity of its utopianism, the justice of the philosopher's return to the Cave—Ferrari provocatively engages secondary literature by Leo Strauss, Bernard Williams, and Jonathan Lear. With admirable clarity and insight, Ferrari conveys the relation between the city and the soul and the choice between tyranny and philosophy. City and Soul in Plato's Republic will be of value to students of classics, philosophy, and political theory alike.