"Selected contributors include: Denise Levertov, Les Murray, Annie Dillard, Robert Fitzgerald, Paul Mariani, Dana Gioia, Bruce Bond, Pope John Paul II, Thomas Merton, as well as 55 other poets."--BOOK JACKET.

It is a charming and satisfying thing that there are still places in this world where magic seems to pervade the sights, smells, and sounds of a place more than the trappings of the so-called modern world. For more than ten years Scott Stulberg has made multiple pilgrimages to Burma (sometimes called Myanmar) to capture this sense of magic with his cameras. The result of those pilgrimages is captured here in a collection of images that display the heart and soul of this magnificent country. Burma is a place of dreams. Bagan, where two thousand pagodas carved from the native rock occupy an area one-sixth the size of Washington, DC. Mandalay, an exercise in calm and chaos that seduces the eye in every direction. Inle Lake, where small villages cluster along the water like mussels clinging to the rocky shore. Mrauk, a place so remote that tourists are a curious rarity. And Yangon, (once Rangoon), a tropical coastal city that still bears the trappings of colonial rule along its shady avenues. And around every corner of this country of contrasts are Burma’s Buddhist monks in their distinct saffron robes. Their warmth and openness have come to symbolize this amazing country. Passage to Burma is Stulberg’s photographic tribute to this remarkable place. It is a country in transition, yet with a timeless quality to it that is captured beautifully in the images in this book. “This is Burma,” wrote Ruyard Kipling, “it is quite unlike any place you know about.”

The Andromeda Strain meets The Stand in this startling and stunning thriller that brings to life a unique vision of the apocalypse and plays brilliantly with vampire mythology, revealing what becomes of human society when a top-secret government experiment spins wildly out of control. At an army research station in Colorado, an experiment is being conducted by the U.S. Government: twelve men are exposed to a virus meant to weaponize the human form by super-charging the immune system. But when the experiment goes terribly wrong, terror is unleashed. Amy, a young girl abandoned by her mother and set to be the thirteenth test subject, is rescued by Brad Wolgast, the FBI agent who has been tasked with handing her over, and together they escape to the mountains of Oregon. As civilization crumbles around them, Brad and Amy struggle to keep each other alive, clinging to hope and unable to comprehend the nightmare that approaches with great speed and no mercy. . .

With echoes of Toni Morrison's Beloved, Yejidé's novel explores a forgotten quadrant of Washington, DC, and the ghosts that haunt it. Longlisted for the 2022 Women’s Prize for Fiction “Yejidé’s writing captures both real news and spiritual truths with the deftness and capacious imagination of her writing foremothers: Zora Neale Hurston, Toni Morrison and N.K. Jemisin . . . Creatures of Passage is that rare novel that dispenses ancestral wisdom and literary virtuosity in equal measure.” —Washington Post Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash—reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw—has charmed conversations with a mysterious figure he calls the “River Man.” When Dash arrives unexpectedly at Nephthys’s door bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face what frightens her most. Morowa Yejidé’s deeply captivating novel shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim itself.

"Johnny, you're leaving us tonight . . . " Fifteen-year-old Johnny Gibbs does, well in school, respects his teachers, and loves his family. Then suddenly, with a few short words, his idyllic life is shattered. He learns that the family he has loved all his life is not his own, but a foster family. And now he is being sent to live with someone else. Shocked by the news, Johnny does the only thing he can think of: he runs. Leaving his childhood behind forever, Johnny takes to the streets where he learns about living life--the hard way. Richard Wright, internationally acclaimed author of Black Boy and Native Son, gives us a coming-of-age story as compelling today as when it was first written, over fifty years ago. ‘Johnny Gibbs arrives home jubilantly one day with his straight ‘A’ report card to find his belongings packed and his mother and sister distraught. Devastated when they tell him that he is not their blood relative and that he is being sent to a new foster home, he runs away. His secure world quickly shatters into a nightmare of subways, dark alleys, theft and street warfare. . . . Striking characters, vivid dialogue, dramatic descriptions, and enduring themes introduce a enw generation of readers to Wright’s powerful voice.’—SLJ. Notable 1995 Children's Trade Books in Social Studies (NCSS/CBC)

Science fiction-roman.

A fantasia inspired by E.M. Forster’s A Passage to India, PASSAGE is set in the fictional Country X, which is a neocolonial client of Country Y. B, a local doctor, and F, an expat teacher, begin to forge a friendship that is challenged after a fateful trip to a local attraction. A meditation on how power imbalances affect personal and interpersonal dynamics across a spectrum of situations, the play allows a director wide latitude in casting the roles by race, ethnicity, and gender, with different casting choices highlighting different societal structures.