Dori Sanders' first novel, CLOVER was a smash hit. Now, with HER OWN PLACE, Dori Sanders tells a story about ordinary people taking part in a transformation of heart and mind--in the South, in the nation. "Resonates as powerfully as an old hymn."--Kirkus Reviews; "Like a ripe summer peach, HER OWN PLACE just keeps getting better and better until the last page leaves the reader longing for more."--Christian Science Monitor. A LITERARY GUILD SELECTION.

After leaving home at a young age and defying her parents to marry the dashing Garrett Maupin, Martha Maupin's future became bound up with some of the most extraordinary events in antebellum American history, eventually leading to her journey to a new life on the Oregon Trail. After Garrett Maupin died in 1866, leaving her alone on the frontier with their many children, Martha Maupin was torn between grief and relief after a difficult marriage. Lone mothers had few options in her day, but she took charge of her own dream and bought her own place, which is now one of the few Century Farms in Oregon named for a woman. A Place of Her Own is the story of the author’s great-great-grandmother’s daring decision to buy that farm on the Oregon frontier after the death of her husband--and story of the author's own decision to keep that farm in the family. Janet Fisher's journey into the past to uncover her own family history as she worked to keep the property interweaves with the tales from her ancestors' lives during the years leading up to the Mexican-American War in the East and her great-great-grandmother's harrowing journey across the Oregon Trail with her young family and finally tells the tale of Martha's courageous decision to strike out on her own in Oregon. This book will hold special appeal for Oregon Trail buffs and the many people in this country whose ancestors took that terrible trek, as well as others interested in American history of that period.

A Room of One’s Own is an essay written by Virginia Woolf. It was published in 1929 and is based on two lectures given by the author in 1928 at two colleges for women at Cambridge. In this famous essay, Woolf addressed the status of women, and women artists in particular. In this essay, the author also asserts that a woman must have money and a room of her own if she is to write. According to Woolf, women’s creativity has been curtailed due to centuries of prejudice and financial and educational disadvantages. To emphasize her view, she offers the example of an imaginary gifted but uneducated sister of William Shakespeare, who, discouraged from all eventually kills herself. Woolf celebrates the work of women who have overcome that tradition and become writers, including Jane Austen, George Eliot, and the Brontë sisters, Anne, Charlotte, and Emily. In the final section Woolf suggests that great minds are neutral and argues that intellectual freedom requires financial freedom. The author entreats her audience to write not only fiction but poetry, criticism, and scholarly works as well.

In Holland 1633, a woman’s ambition has no place. Judith is a painter, dodging the law and whispers of murder to try to become the first woman admitted to the Haarlem painters guild. Maria is a Catholic in a country where the faith is banned, hoping to absolve her sins by recovering a lost saint’s relic. Both women’s destinies will be shaped by their ambitions, running counter to the city’s most powerful men, whose own plans spell disaster. A vivid portrait of a remarkable artist, A Light of Her Own is a richly-woven story of grit against the backdrop of Rembrandt and an uncompromising religion. Story behind the story . . . The trail of Judith Leyster’s career was so faint that only years after her death in 1660, collectors began attributing her few surviving paintings to other artists. She signed her work with only a beautiful, stylized monogram. Credit went to Frans Hals, Jan Miense Molenaer, and others. She would remain lost to history until 1893.

Illustrated with more than 100 color photographs, A Home of Her Own showcases a wide variety of homes and tells the stories of their making.

The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.

Land is often known by the names of past owners. "Emma's Land", "Gina's quarter", and "the Ingeborg Land" are reminders of the many women who homesteaded across North Dakota in the late nineteenth and early twentieth centuries. Land in Her Own Name records these homesteaders' experiences as revealed in interviews with surviving homesteaders and their families and friends, land records, letters, and diaries. These women's fascinating accounts tell of locating a claim, erecting a shelter, and living on the prairie. Their ethnic backgrounds include Yankee, Scandinavian, German, and German-Russian, as well as African-American, Jewish, and Lebanese. Some were barely twenty-one, while others had reached their sixties. A few lived on their land for life and "never borrowed a cent against it"; others sold or rented the land to start a small business or to provide money for education.