"For all who want to make sense of fundamentalism as a long-term consequence of the modern world, Pious Passion will be required reading. It is also enjoyable, abounding in cogent arguments set forth in lucid prose and supported by compelling examples."—Bruce B. Lawrence, author of Defenders of God "Riesebrodt's trenchant analysis brings the comparative study of religious activism to a new level of sophistication, exploring not only the ideological development of fundamentalist movements but also the changes in social structure that produced them. Pious Passion is a signal event in the modern social sciences, for it helps to establish a new academic field—the comparative study of fundamentalism."—Mark Juergensmeyer, author of The New Cold War?

The Pious Sex strives to enlighten the reader with respect to the relationship between women and religion. The notion that there is a special relationship between women and piety may call to mind the worst of the prejudices associated with women over the ages: the characterization of women as superstitious and inherently irrational creatures who must be kept firmly in hand by the patriarchal establishment. The suggestion that there is a special relationship between women and piety conjures up the most oppressive picture of womanly virtue. The contributors of this volume revisit the claim that women constitute the pious sex and investigate the implications of such a designation. This collection of original essays examines the relationship between women and religion in the history of political thought broadly conceived. This theme is a remarkably revealing lens through which to view the Western philosophical and poetical traditions that have culminated in secular and egalitarian modern society. The essays also give highly analytical accounts of the manifold and intricate relationships between religion, family, and public life in the history of political thought, and the various ways in which these relationships have manifested themselves in pagan, Jewish, Christian, and post-Christian settings.

Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation.