You didn't see it coming. Or maybe you saw it coming but couldn't do anything about it. Either way, your job is gone, your paycheck is gone, and your self-esteem has taken a serious hit. You've still you're your hopes and dreams...but you've also still got your bills. Now's your chance to turn a crisis into an opportunity. By maintaining both your financial and emotional well-being, you'll be able to navigate this period of unemployment. Learn what you must do right away, how much you should trim your budget, whether to roll over your pension and 401(k), where to find extra money right now, whether to get a part-time job while you look for work, and more. With worksheets and charts to help you work through key decisions, Pink Slipped will help you recover from the shock of losing you job, develop a financial strategy, and land your next position-wiser and better off than before!

Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

Kierra was a poor poet looking for a job while she worked toward her dream of becoming a published poet. One day she accidentally becomes the personal assistant to married spies. For the last three years she's lusted after them, not very secretively, until finally she decides it's time to move on with her life and gives her notice. During her last week of work, her bosses whisk her away to Serbia for a top secret mission that only she can help them complete. And in the middle of dispatching a European dictator, Kierra and her bosses give in to their deepest desires. Pink Slip is the first in an erotic/suspense/spy/comedy series that wonders what James Bond's receptionist's life might have been like. If James Bond had a wife and they both wanted to shag the receptionist. But the dirty American version of that. And all of the possible entanglements in between. content warnings graphic descriptions of violence deaths on- and off-page maiming

Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

Lisa Diodetto's mother may be ready for her to get married but Lisa isn't. At her sister's wedding she ducks when the bridal bouquet comes floating her way, and the only "eligible bachelor" in Lisa's life is her beloved gay cousin, Dodie. Ditching her life as an underpaid, oversexed publishing drone in Manhattan, Lisa takes a lucrative spot at a more conservative company, and begins writing--on company time--a novel that pokes fun at corporate life. Enter Lisa's main character: her new boss, Eben Strauss. A man of manners and caution, Strauss manages to bring out the best bad girl in Lisa. And before they know it, two very different people from two very different worlds are doing the one thing you should never do at the office: falling in love. In her funny, familiar, heartbreaking new novel, the award-winning author of Blue Italian weaves a tale of family, work, sex, and love--and of all the things we try to leave behind but never really can. . . .

She's been handed her walking papers. Jane McGregor has just been laid off from her job designing pink slips for an office supply company. The irony is not lost on her. She's a twenty-eight-year-old art major whose last major career accomplishment was being propositioned by the company vice president. Desperate to maintain her freedom from her oddball parents, tyrannical older brother, and slacker ex-boyfriend, Jane starts sending out resumes. So what if some of them aren't exactly, well, true. She's taking the future in stride. When Jane's dad, a staunchly conservative believer in the corporate dream, loses his job, and her mom goes to work for a trendy dot com, Jane discovers that the family she's taken for granted is unraveling. After a fellow lay-off victim hatches a plot to seek revenge on the office supply company, Jane must choose between living in the past and seeking out a new future. To her surprise, that future might involve a most unlikely partner in crime -- handsome, funny Kyle Burton -- and maybe, just maybe, a new job, too.

When Benjamin Levy took over his brother's company, he never knew what consequences would lie ahead. Traces of pink slips, along with the death of his wife for eight months; wasn't just a coincidence, it was a warning. Will Benjamin find the strength and courage to meet up face to face his wfie's killer? Or will it be too late for him as well.