Mar'a Lugones, one of the premiere figures in feminist philosophy, has at last collected some of her most famous essays, as well as some lesser-known gems, into her first book, Pilgrimages/Peregrinajes. A deeply original essayist, Lugones writes from her own perspective as an inhabitant of a number of different 'worlds.' Born in Argentina but living for a number of years in the United States, she sees herself as neither quite a U.S. citizen, nor quite an Argentine. An activist against the oppression of Latino/a people by the dominant U.S. culture, she is also an academic participating in the privileges of that culture. A lesbian, she experiences homophobia in both Anglo and Latino world. A woman, she moves uneasily in the world of patriarchy. Lugones writes out of multiple and conflicting subjectivities that shape her sense of who she is, resisting the demand for a unified self in light of her necessary ambiguities. Pilgrimages/Peregrinajes explores the possibility of deep coalition with other women of color, based on 'multiple understandings of oppressions and resistances'—understandings whose logic she subjects to philosophical investigation.

Like the migrating animals that our ancient ancestors once followed, we have been making planned long-distance journeys for millennia. What was first a matter of survival in time became a celebration of seasonal abundance--even today, many pilgrim festivals remain tied to the solar-lunar cycle that guided small bands of hunter-gatherers to come together at special times and places. The era when we were all nomads is long gone, but the impulse to undertake a ritual journey remains: each year, 200 million of us embark on a pilgrimage of some kind. These journeys of purpose may involve great hardship, great danger, or half a lifetime of waiting just to begin. Ranging from the Stone Age pilgrims of Anatolia to the New Age pilgrims of California, We Are Pilgrims is a quest to understand what drives this rich and varied human behaviour, unbounded by time or space, faith or identity. Victoria Preston discovers that, whether we set forth in search of comfort or liberation, as an expression of gratitude or devotion, journeys of meaning and purpose are always a powerful reminder that we are each part of something much greater than ourselves.

A striking collection by the eminent photographer encompasses her visual translations of how people live and do their work, showcasing her images of historically and culturally relevant homes belonging to such famous figures as Sigmund Freud, Charles Darwin and Louisa May Alcott.

We all encounter times when our spirit feels dry, when doubt looms. The opportunity to tour Israel came at a good time. For months, my life has been a mindless plodding through necessary routine, as monotonous as an all-night shift on an assembly line. Life gets that way sometimes, when nothing specific is wrong but the world around us seems drained of color. Even my weekly worship experiences and daily quiet times with God have felt as dry and stale as last year's crackers. I'm ashamed to confess the malaise I've felt. I have been given so much. Shouldn't a Christian's life be an abundant one, as exciting as Christmas morning, as joyful as Easter Sunday? With gripping honesty, Lynn Austin pens her struggles with spiritual dryness in a season of loss and unwanted change. Tracing her travels throughout Israel, Austin seamlessly weaves events and insights from the Word . . . and in doing so finds a renewed passion for prayer and encouragement for her spirit, now full of life and hope.

"Presents pilgrimage in a global and historical context. Using a wide range of examples, Reader explores how people take part in and experience their pilgrimages, and what they take back from their journeys, He concludes by examining why pilgrimages appear to be so popular in our increasingly secular age."--Front flap.

The annual Lenten pilgrimage to dozens of Rome’s most striking churches is a sacred tradition dating back almost two millennia, to the earliest days of Christianity. Along this historic spiritual pathway, today’s pilgrims confront the mysteries of the Christian faith through a program of biblical and early Christian readings amplified by some of the greatest art and architecture of western civilization. In Roman Pilgrimage, bestselling theologian and papal biographer George Weigel, art historian Elizabeth Lev, and photographer Stephen Weigel lead readers through this unique religious and aesthetic journey with magnificent photographs and revealing commentaries on the pilgrimage’s liturgies, art, and architecture. Through reflections on each day’s readings about faith and doubt, heroism and weakness, self-examination and conversion, sin and grace, Rome’s familiar sites take on a new resonance. And along that same historical path, typically unexplored treasures—artifacts of ancient history and hidden artistic wonders—appear in their original luster, revealing new dimensions of one of the world’s most intriguing and multi-layered cities. A compelling guide to the Eternal City, the Lenten Season, and the itinerary of conversion that is Christian life throughout the year, Roman Pilgrimage reminds readers that the imitation of Christ through faith, hope, and love is the template of all true discipleship, as the exquisite beauty of the Roman station churches invites reflection on the deepest truths of Christianity.

'Walking in Christ's footsteps' was a devotional ideal in the late Middle Ages. However, few nuns and religious women had the freedom or the funding to take the journey in the flesh. Instead they invented and adjusted devotional exercises to visit the sites virtually. These exercises, largely based on real pilgrims' accounts, made use of images and objects that helped the beholder to imagine walking alongside Christ during his torturous march to Calvary. Some provided scripts whereby votaries could animate paintings and sculptures. Others required the nun to imagine her convent as a miniature model of Jerusalem. This volume is grounded in more than a dozen texts from manuscripts written by medieval nuns and religious women, which appear here transcribed and translated for the first time, and a multiplicity of (occasionally three-dimensional) images. They attest to the ubiquity and variety of virtual pilgrimages among religious women and help to reveal the functions of certain late medieval devotional images.