An imagined meeting between Pablo Picasso and Albert Einstein in 1904 examines the impact of science and art on a rapidly changing society

Picasso at the Lapin Agile, Steve Martin's first full-length play, opened at Chicago's Steppenwolf Theater before moving on to Los Angeles (where it was the longest-running show in the history of the Westwood Playhouse) and, finally, to New York. An imagined meeting of Pablo Picasso and Albert Einstein in 1904 - when both men were in their twenties - it is a compelling examination of science and art and their impact on a rapidly changing society. As the two men engage in a battle of ideas about probability, lust, artistic integrity, and the future, the play moves with ease between the breezy and the profound.

This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.

One of our country's most acclaimed and beloved entertainers, Steve Martin has written a novella that is unexpectedly perceptive about relationships and life. Martin is profoundly wise when it comes to the inner workings of the human heart. Mirabelle is the "shopgirl" of the title, a young woman, beautiful in a wallflowerish kind of way, who works behind the glove counter at Neiman Marcus "selling things that nobody buys anymore . . ." Slightly lost, slightly off-kilter, very shy, Mirabelle charms because of all that she is not: not glamorous, not aggressive, not self-aggrandizing. Still there is something about her that is irresistible. Mirabelle captures the attention of Ray Porter, a wealthy businessman almost twice her age. As they tentatively embark on a relationship, they both struggle to decipher the language of love--with consequences that are both comic and heartbreaking. Filled with the kind of witty, discerning observations that have brought Steve Martin critical success, Shopgirl is a work of disarming tenderness.

Comedy / Casting: 7m, 2f / Interior Scenery This long running Off-Broadway absurdist comedy places Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with cubism. In his first comedy for the stage, the popular actor and screenwriter plays fast and loose with fact, fame and fortune as these two geniuses muse on the century's achievements and prospects as well as other fanciful topics with infectious dizziness. Bystanders, including Picasso' agent, the bartender and his mistress, Picasso's date, an elderly philosopher, Charles Dabernow Schmendimen and an idiot inventor introduce additional flourishes of humor. The final surprise patron to join the merriment at the Lapin Agile is a charismatic dark haired singer time warped in from a later era. "Highly credible and ... very funny. The subject matter is daring.... You get giggles in plenty [and] moments of enlightenment.... The introduction of the final, exquisitely selected visitor from the future is a master stroke."-N.Y. Post "Consistently entertaining."-N.Y. Daily News "Very engaging.... Martin sends ideas onstage in baggy pants, with a cigar .... mix[ing] the sublime with the ridiculous [so] that they can't be easily disentangled.... Very good fun."-The New York Times

The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.