This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.

A New York Times Notable Book, 1997 The lavishly illustrated and often darkly hilarious retelling of Soviet history through the doctored photographs under Stalin. The Commissar Vanishes has been hailed as a brilliant, indispensable record of an era. The Commissar Vanishes offers a unique and chilling look at how one man--Joseph Stalin--manipulated the science of photography to advance his own political career and erase the memory of his victims. Over the past thirty years David King has assembled the world's largest archive of doctored Soviet photographs, the best of which appear here, in a book Tatyana Tolstaya, in The New York Review of Books, called "an extraordinary, incomparable volume."

Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.

The British, Irish, Russian, American, German and Austrian contributors examine the intricate nature of the mass repression unleashed by the Stalinist leader of the USSR during 1937-38. The first part of the collection deals with annihilation policies against the Soviet elite and the Communist International. The second section of the volume looks at mass operations of the secret police (NKVD) against social outcasts, Poles and other 'hostile' ethnic groups. The final section comprises micro-studies about targeted victim groups among the general population.

This volume examines the bloodiest period of the Stalinist repression of political opposition in the Soviet Union, debunking the myth that the Great Purges were merely the product of Stalin's paranoia and had no overriding political logic. Through a meticulous examination of original sources, including archival documents only made available for research in the 1990s, Professor Vadim Rogovin argues that the ferocity of the mass repression was directly proportional to the intensity of resistance to Stalin within the Communist Party of the Soviet Union (CPSU), particularly the opposition inspired by and associated with the exiled Bolshevik leader Leon Trotsky. Far from Trotsky being a politically isolated figure, as both Stalinist and anti-communist historians have claimed, there was substantial sympathy for his criticism of the Stalin regime in the ranks and even in the leadership of the CPSU, and support for his demands for inner-party democracy, greater social equality and an international orientation to the Bolshevik goal of world revolution. It was this political fact, as Rogovin demonstrates, that accounts for the purge reaching so deeply into the party apparatus, the military, the Komsomol youth movement, and the broader layers of the population. Rogovin bases his analysis on scrupulous research, quoting from newly translated or unpublished documents, including memoirs, meeting minutes, newspaper articles and trial transcripts. He documents the reaction of different social layers to the purges, including workers, peasants, non-party intellectuals and the CPSU rank-and-file. This book includes rarely published photographs of the prison camps, documenting the lives of those labeled by Stalin;enemies of the people. Chronologically, this volume takes up where its predecessor, 1937: Stalin's Year of Terror , left off, with the June 1937 plenum of the Central Committee that followed the purging of the Soviet military command and the execution of Marshal Tukhachevsky and other leading generals. It analyzes such critical events as the Bukharin-Rykov trial, last of the infamous show trials; the massacre of Trotskyists in the Vorkuta slave-labor camp; and the assassination by Stalinist agents of Leon Sedov, Trotsky's son, and other oppositionists outside the Soviet Union. It concludes with an examination of how the purges transformed the CPSU and Soviet society as a whole.

This brand new edition of David King’s lauded visual history is a unique and brilliant study into the doctoring and propogandising of Soviet photographs by Stalin’s regime. From the creator of the award-winning ‘Red Star Over Russia’ 'The Commissar Vanishes' offers a chilling look at how Joseph Stalin manipulated the science of photography to advance his own political career and to erase the memory of his victims. On Stalin’s orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. For example, a 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. In each case, the juxtaposition of the original and the doctored images yields a fascinating, terrifying and tragic insight into one of the darkest chapters of modern history. -- Publisher's description

"The book consists of 166 photographs taken from the interrogation files of the secret police in Moscow of those arrested on falsified charges, found guilty and shot during Stalin's reign of terror from the late 1920s until his death in 1953 - engineers, artists, factory workers, teachers, housewives, heroes of the Soviet Union, even secret policemen themselves. Each photograph is accompanied by the basic details of that person's life and the charges brought against them." - abstract from Francis Boutle Publishers website.